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A RADIO DISC JOCKEY’S THANKS

Today is Thanksgiving in the United States. As a radio personality, program director, and production director…

I am thankful that anyone hired me from the audition tape I made in radio school.

I am thankful that the Bill Wade School of Radio & Television had us memorize all possible 650 questions & answers so I could pass the exam for my First Class Radio Telephone Operator’s License.

I am thankful that my first program director didn’t fire me upon learning that although the Bill Wade School of Radio & Television taught me how to play carts, they hadn’t taught me how to record onto them.

I am thankful that after I moved across the country for my first radio job, I wrote “thank you for considering me” letters to three other stations that had offered me jobs (after I’d accepted the first offer)…

…because when the entire staff of my first radio station was laid off one month after I arrived, I called two of the three other stations and both of them offered me a job. (The guy who hired me for my second gig said, “You’re the only person who’s ever written to thank me even though he accepted a job with a different company.”)

I am thankful that after my first radio job, never again was I required to sell radio advertising in addition to doing an airshift.

I am thankful that I found a profession that didn’t require me to dress up for work.

I am thankful that apparently the only person who heard me accidentally swear on-air at my second job was another jock.

I am thankful that instinctively I knew it didn’t matter if the station engineer or one of the radio salespeople “didn’t think that bit of yours was funny.”

I am thankful for my listeners.

I am thankful for the radio pros in “the trades” from whom I (barely) learned production.

I am thankful for 100% cotton promotional t-shirts.

I am thankful that upon being promoted to Program Director at my third radio station, my compensation was enhanced with a $50 per week grocery trade.

I am thankful for the friends I’ve made at radio stations around the world.

I am thankful for the endless hours of “talking radio” with people who apparently didn’t have anything better to do, either.

I am thankful for having found a profession where there’s always plenty of room to improve.

I am thankful for having chosen a profession that made it impossible for me to “rest on my laurels” because it offers absolutely no job security.

I am thankful that somewhere along the way banks changed their minds and decided to allow disc jockeys to have credit cards.

I am thankful that convenience stores around the country decided to let people pay for their cheese & relish smothered hotdogs with credit cards.  

I am thankful for the radio people who’ve done extraordinary things on their radio stations, inspiring me to try, occasionally, to reach for something higher.

I am thankful to be part of a community where being “a radio person” means you share a deep bond with other real radio people.  

I am thankful for having chosen a profession that made me an expert on the best way to load a U-Haul trailer.

I am thankful I haven’t had to have a real job since the age of 21.

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Last week I wrote about a clueless morning show at major market oldies radio station.

The same station (the same week) had a “Commercial Music Weekend,” spotlighting oldies that have been used in commercials.

Recorded, Booming Announcer Voice: “And now here’s a song that you just might remember from a certain TV commercial….”

The live DJ says, “You might remember this song from the Gap commercial,” and Carole King’s “So Far Away” begins.

Yes, in CONTEXTUAL PROGRAMMING I explain the value of creating an “artificial context,” which this station attempted to do.

But the context needs to have some sort of emotional resonance with the audience.

Remember, this is an oldies station.

When listeners hear the opening notes of “So Far Away,” they don’t think of the Gap commercial. They immediately connect to the associations they’ve already formed to that song.

Trying to convince them that it’s not about who and where they were in 1971, when the song was a hit, but instead about The Gap — Well, that’s foolish.

“But Dan, what about the younger listeners who weren’t even born in 1971 but who did see that Gap commercial?”

It’s an oldies station. Check their audience demographics. Those “younger listeners” aren’t listening to that station.

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Yesterday I talked about a valuable radio advertising principle: “Giving people a reason.”

If you didn’t read that piece, you might want to check it out here.

I’m not talking about “giving people a reason to buy.” Rather, I’m referring to the story that explains what makes the wonderful offer you’re making possible.

Here’s another example — the storyline from which a radio commercial script for an accountant could be written (assuming, of course, that the story fits the advertiser’s professional history).

Tax Accountant — “He Misses A Good Fight”

Storyline: Before he became a tax accountant, the advertiser specialized in arguing cases for rich clients in the Internal Revenue Service’s Tax Court. It was very adversarial: just him, defending his client against the might of the I.R.S.

Now, however, he’s settled down to a more relaxed professional practice, handling the accounts of “regular people” like you and me. He enjoys saving money for members of the Smallville business community.

But every now and then, he does miss the adrenalin-rush of single-handedly protecting a client from the clutches of the evil I.R.S.

Bottom Line: Because he spent all those years arguing in Tax Court, he can keep you out of Tax Court.

But still, if you’re one of his clients and the IRS makes the mistake of trying to push you around, he’ll be more than happy to climb upon his white steed, gallop into court, and make protect your honor, your reputation …and your money.

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RADIO ADVERTISING PRINCIPLE: Give People A Reason

radio advertising copywriting courseMore than once I’ve encountered good radio advertising ideas from “outdoor advertising.”

My favorite retail billboard appeared above a store on Wilshire Boulevard in Los Angeles:

“Revenue Enhancement Sale!”

Translation: “We’re having a big sale so we can make more money!”

Talk about honesty in advertising.

I loved it.

Not just because it was clever, but also because it was smart.

In a classic psychological study, college students tried to “cut the line” to use a photocopy machine — asking the person at the head of the line if they could go first.

When all they said was, “Excuse me, may I use the Xerox machine?” 60% of the time the other person said yes — probably due to social pressure, lack of assertiveness, or just plain niceness.

But when the person said, “Excuse me, may I use the Xerox machine, because I’m late for class?” 94% of the time the other person said yes.

You’re not surprised by that?

Then how about this:

When the person trying to cut the line said, “Excuse me, may I use the Xerox machine, because I have to make some copies?” — what percentage do you suppose was successful?

Remember, 94% said yes when given a good reason, while only 60% said yes when given no reason at all.

So what do you suppose the success rate was when a dumb reason was given?

93%.

In other words, giving the reason of “because I’m late for class” was only barely more successful than “because I have to make some copies.”

I learned the power of “giving a reason” when I was 15. I accompanied my father on a one-day trip to some business conference.

The conference was held at a big hotel. One of my father’s co-workers also attended, and he brought along his daughter — who attended my school and was a year older than I.

She was pretty and vivacious, and back in school we never even would have thought to talk to each other, because she was a year older!

She was out of my league.

But here we were together, in another city, in a big hotel, without adult supervision while our fathers were at the conference. You can just imagine what happened:

Yep, we rode up and down the elevators, pushing all the buttons and laughing hysterically.

I am not proud of this story.

At one point we got to the Lobby Level and the elevator door opened. We were the only two people in the elevator, and several people were waiting to enter.

That’s When I Experienced One of the Most Extraordinary Encounters of My Life.

The person in front of the group of people waiting to enter started to step inside.

And as I reached for the “Door Close” button I said, “Sorry, this elevator’s all empty!”

The person nodded and stepped back…and the door closed.

I would like to be able to tell you I was conducting a serious linguistic experiment, but the truth is I was being obnoxious and although I meant to say the elevator was full, what I actually said was that it was empty.

An elevator being empty is a nonsensical reason for someone not entering it.

But that lesson stuck with me all these years: Even a lame reason is better than no reason at all.

Obviously, in advertising a strong reason is preferred.

But without the benefit of an existing strong reason, it is possible for a good radio copywriter to create one.

One Quick Radio Commercial Example

Seafood Restaurant — “Our Chef Is So Crabby”

Normally our chef is so cheerful. But recently he added to the menu his own special crab cakes. He’s so proud of them. Everyone who works at the restaurant agrees they’re best-tasting crab cakes in The History of the World.

But few diners are ordering the new crab cakes. They always order lobster, which is understandable. After all, we’re famous for our lobster.

And hey, you’re the customer. You want the lobster, you get the lobster.

But the next time you visit us and you order the lobster, won’t you please consider also ordering at least the appetizer portion of our Chef’s crab cakes?

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(audio treat) RADIO AIRCHECKS COAST-TO-COAST, Part One

radio airchecks Phlash PhelpsMany years ago, someone gave me this cassette.

Probably it was handed to me by an attendee at one of my radio talent seminars.

Or maybe someone mailed it to me.

For a long time, I didn’t know who had the made the original recording of this radio aircheck tour of the United States.

Finally I learned it was the creation of Phlash Phelps in 1985-1987.

Phlash kindly gave me permission to share with you this first installment, which begins in the upper northwest corner of the U.S. — Spokane, Washington.

Enjoy the journey.


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