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June, 1994, Part 2: Immediately following my seminar in Stowe, Vermont, I drove back to Burlington and caught a flight to Boston and then to London, England. I was surprised on this trip to discover London did have some reasonably priced hotels.

My hosts booked me at the Swallow International Hotel (which since has been supplanted — no doubt for the better — by a Marriott) for the amazingly modest corporate rate of £49 per night. (That was not their regular price, and you probably had to be a great negotiator to get it.)

The Swallow wasn’t fancy, but it wasn’t a dump. (I’ve stayed in far worse London hotels.) Lots of international tours stayed there, so it was pretty busy. Its location was neither great nor terrible. You couldn’t walk to the theatre district (a disadvantage for me). It was, however, within walking distance of both the Natural History Museum and Harrod’s.

The biggest thing the Swallow had going for it, actually, was price. I’m pretty sure very few guests stayed there for the food. (Insert your own “British Cuisine” joke here.)

My flight was a red-eye across the ocean, so I arrived early Sunday morning in a state of exhaustion. I checked into my room, collapsed on the bed, and slept…until I was awakened by loud, booming sounds from down the hall. It turned out the hotel was undergoing renovation. (Possibly one reason for the cheap room rate?)

Somehow I eventually managed to fall asleep again, and I slept soundly…until I was startled out of bed by the sound of someone opening the door to my room.

It was the hotel maid.

Furious, I bounded to the door, pointed at the “Do Not Disturb” sign hanging from the knob, and said, “Do you see this sign??”

“Yes,” she replied, “but I have to make up the room.”

“What’s the point of my hanging a ‘Do Not Disturb’ sign if you’re going to disturb me?” I thundered. I do not recall her precise response.

Before taking the train to Hull on Monday, I found time for a one-hour walk. I don’t think I’d ever seen such a diversity of nationalities, modes of dress, languages…as well as every ethnic restaurant imaginable.

The TV weather report mentioned England’s heavy pollen count (odd for an American to hear a weather report that covers the entire country), and I felt it: maximum hay fever. Sudafed didn’t make a dent in it.

My very first train ride (if you don’t count theme park trains, subways, and the commuter train out of New York’s Grand Central Station) took me to the industrial port of Hull. In my naivete, I had pictured a mammoth chug-chug-chug train. I realize some people love riding on trains, but I can’t say it seemed like anything special.

The only even mildly interesting things that happened were when an international spy was chased up and down the aisles by an Interpol officer…and the shots they exchanged…and, of course, the dead body in my first class compartment.

Hull, As England Sees It

Hull isn’t exactly a tourist destination. In fact, it’s been “honored” by the BBC as “the worst place to live in the UK.” I happened to be in Hull during the one day of the year when the weather was nice, however, and (British readers will read this with mouths agape) found the waterfront to be quite pretty.

Hull, As I Experienced It

On Tuesday I conducted How To Create Maximum Impact Radio Advertising for Metro Radio Group, thanks to Maurice Dobson and Mike Bersin. At the time, Metro Radio Group made lots of money by selling its creative expertise to its advertisers. By this, I mean that Metro:

1. Invested lots of money in its creative teams (as opposed to putting all its emphasis on sales but having its commercials written by some bright, low-paid young person who puts clients’ fact sheets into complete sentences).

2. Actually charged its clients for Metro’s production.

Metro’s “Creative-Led Selling” was a breath of fresh air (okay, except for the pollen), and I was flattered to be invited to speak to their salespeople and creative team members from across the UK.

Next Week: Brussels or Antwerp?

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A SHOCKING TRUE TALE ABOUT CHRISTMAS ADVERTISING

Alan David Doane of Adirondack Broadcasting offers this heartwarming Christmas advertising tale. (You do remember last week, right?)

Hey Dan,

You may find this story funny…and it has a shock ending, too.

An AE wrote a script for an out-of-the-way gift shop in our area that sells handmade gift items. I didn’t think much about the script, because it was a rush job and I didn’t write or voice it, but when I was producing the voicework, one thing stood out to me like a brick to the head.

As I write this, it’s the Friday before Christmas in the worst economy perhaps ever, and where I live we are facing blizzards tonight and Sunday. So the client’s ad has the chance to work for them, really, only Saturday, Monday, Tuesday and Wednesday. And then, well, we can all guess how the first quarter of ’09 will be for out-of-way shops that sell handmade gifts, can’t we?

The spot talks about all the wonderful, unique items you’ll find at this shop, closing with the location, and the perfect two word tag:

CLOSED MONDAY.

After laughing for 20 minutes or so at the client’s bird-flip to listeners and to their own bottom line, I had to go ask the AE: “Does the owner of the store get dialysis on Monday?”

He looked at me a little blankly as everyone else in the cubicles around him laughed uncontrollably. (I had already played the spot’s tag line for pretty much anyone who would listen.)

Then I explained that, unless they really have some life-threatening reason they can’t be open Monday, they might want to reconsider the idea of being closed on one of the last four days this year (or perhaps decade) that they will be able to make any money.

Then, the AE shocked me. He said, “If I can get the client to open on Monday, would you be willing to re-edit the spot?”

I told him, quite honestly, “That is one re-edit I would be happy to do.”

And shockingly, the client saw the wisdom in staying open, and now instead of CLOSED MONDAY the spot ends with directions to the store, so listeners can actually go there and spend their money. Even on Monday.

It’s a holiday miracle!

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2008: HIGHLIGHTS OF THE ONE BLOG I ALWAYS READ

For most of the world, 2008 officially began sometime in June, when I published my very first blog post. Radio people argued over whether it’s a good idea always to put music under the DJ’s voice, and the Internet hasn’t been the same since.

I’ve been sharing The Best Radio Video Ever for years now, and I recycled it as a blog posting.

Hotlining Is For Wimps took dead aim at short, insecure PDs.

A bunch of friends and I reminisced about our First Days On The Air.

I paid tribute to America’s (and probably the world’s) greatest living radio personality.

Ira Glass did the work for me in this posting — far better than I could.

My video camera revealed the seamy underbelly of Dick Orkin’s Famous Radio Ranch.

I fessed up to a hoax I played on San Francisco listeners.

Ever meet a dumb radio station receptionist?

I have no idea who called this fax spammer.

Whoever it was, he called another representative of the same fax spamming company.

Hollywood voiceover coach Nancy Wolfson revealed her true feelings about radio people.

Don LaFontaine left us too early. Unless you saw it here, probably you never saw this video.

Everyone thinks my international travels are so glamorous. They are.

A lot of people never heard the Terry Moss production that caused the FCC to change its rules.

Ross Brittain demonstrates the true glamor of a radio star’s life.

My attempt to get everyone excited about one of the coolest songs ever…Well, kind of flopped.

My 3-part series on how to react to a competitor’s misleading contest seemed to amuse people.

My favorite rendition of Cream’s “White Room.”

Finally, one or two people shared my awe at this demonstration of How To Write A Hit Love Ballad.

All in all, I think it’s fair to say that this blog has never had a finer year. And I owe it all to my dozens of loyal readers. Next year? More of the same, except for the new stuff.

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Your radio station website is not a playground for your webmaster — or a dumping ground for the cookie cutter output of an outsourced provider. It’s a marketing tool. It’s a valuable opportunity to further engage your listeners or clients.

You agree? Good. But have you made that clear to your Web designer?

For example….

Splash Pages

Have you ever had the experience of clicking on a link or entering a Web address and instead of being taken to the home page, you arrive at a page that says:

“Welcome! Click here to enter.”

That’s a splash page.

Splash pages waste people’s time.

People already did the work to come to your site. It’s crazy to ask them to do more work now.

Think about your radio station. You use marketing and promotions and advertising to convince people to sample your station. Direct mail, TV, billboards, busboards:

“Listen Thursday morning at 7:10 for our $10,000 birthday song, on 102.7!”

You finally convince someone to tune in 102.7 for your $10,000 birthday song. They tune in to 102.7 and what they hear is:

“Thank you for tuning in 102.7, now go to 103.1!”

Your radio station wouldn’t be stupid enough to do that. Why would your website be that stupid?

The only valid reason for a station website to have a splash page is if you have a site that offers information in more than one language:

“Welcome to RadioX.com. Click here for the English presentation, click here for Spanish, click here for Norwegian.”

Otherwise, splash pages only serve the purpose of wasting people’s time.

You can confirm this with your own experience. You know what it’s like to click on a link or type in a URL and end up at something that says, “Click here to enter.”

When that happens, what is your response?

If you’re like most people, your response is one of annoyance: “Why do I have to click to enter? Just put me there!”

For more ideas on how to maximize the value of your radio station’s website, here’s a handy resource.

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The spot opens with, “Wishing you could get away for a mini-vacation?” That certainly could be the premise of a commercial for a Las Vegas resort. But after asking the question, they don’t do anything to deliver on its implied promise.

“Here’s a little secret exclusive for our K-EARTH listeners. MGM Hotel & Casino has it all….”

Actually, I swear the guy is saying “had” it all. But that doesn’t make sense. It’s more likely that my hearing ability has deteriorated than that the copywriter or voiceover performer accidentally wrote or said “had” instead of “has” — and that no one at the radio station caught it.

Where was I? Oh, yeah:

“Here’s a little secret exclusive for our K-EARTH listeners. MGM Grand Hotel & Casino has it all….”

That’s not a secret, and it’s certainly not exclusive for K-EARTH listeners.

Saying that something is exclusive for your listeners when it’s not is what we in the radio advertising biz call “not true.”

“Treat yourself to a massage at the spa.”

Gee, a Vegas hotel with a spa? Hard to believe. And the spa offers massages? Unheard of.

“See an award-winning show.”

SHE: We never do anything fun any more.

HE: How about seeing an award-winning show?

SHE: What a great idea! Honey, I love you!

TOGETHER: Thanks, MGM Grand Hotel & Casino!

Here Comes The Clue Train:

If you want people to attend your award-winning show, tell them the name of the show or performer.

“But the MGM Grand Hotel & Casino has a number of different shows, and they might change from one week to the next.”

Yeah, so? Either do the work needed to create the spot that sells the show, or don’t waste your breath and the listeners’ time talking about it.

“Indulge yourself in any of the 15 restaurants.”

Indulge myself? Oh, you mean eat food?

15 restaurants? Doesn’t sound particularly inviting to me. Sounds like a gigantic, impersonal place. But by golly, “15 restaurants” is on that list of bullet points, so….

“Oh, and the room accommodations? Wow, where do I start?”

Well, you could start by noticing that no one you know ever comes back from a mini-vacation and refers to their “room accommodations.” Never.

HE: How about staying at the MGM Grand Hotel & Casino?

SHE: Hmm, I don’t know. What are their room accommodations like?”

And apparently the announcer never did figure out “where to start,” because she didn’t say anything at all about the “room accommodations” — other than to imply that the MGM Grand Hotel & Casino has some.

“Exclusive package offers won’t last long.”

Hey, they met the “not true” standard twice in just six words:

1. We’ve already established that the offers are not exclusive.

2. The “special offers” probably will be featured on the MGM Grand Hotel & Casino’s website for years.

“I tried radio advertising, and it didn’t work….”

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