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When You Hit ‘Em, Hit ‘Em Hard

Buried within my December 18 posting — “Don’t Water Down The Good Stuff” — is an important lesson of which I first became consciously aware during a conversation with Dick Orkin. He was telling me about a particular campaign the Famous Radio Ranch had done in South Florida.

The big U.S.P. was the superiority of the client’s service over that of the established market leader: the dominant regional newspaper. They made that the focus of the entire campaign: how lame the newspaper’s service was compared to their client’s (which was just being introduced to that market).

One of the local radio stations balked at airing the spot, because they didn’t “want to upset the newspaper.”

“How much money does the newspaper spend advertising on your station?” asked Dick.

“Uh…Nothing. They’ve never advertised with us.”

“So what’s the problem?”

The campaign aired as written, and it was hugely successful: Soon the client had a larger market share of that particular service than the newspaper.

As Dick told me the story, I had an aha! experience. When writing copy, I’ve always looked for strong themes and strong lines. But until that moment I never consciously sought to pounce on them; I viewed them as vehicles to help deliver the sales message.

But now when I find myself writing an “edgy” line that powerfully drives home that message, I’m quite willing to throw away the original script and start all over, with that provocative line as the commercial’s focal point.

To use a boxing metaphor: If you discover your fighter has a powerful left jab, don’t just hope that he occasionally throws it; build your fight plan around that left jab.

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MONDAY RADIO COMMERCIAL SMACKDOWN: Nordstrom

Okay, so you’re thinking, “Good grief. Yet another stupid radio commercial that says nothing, in a cutesy way.”

I’m confident, however, that the creators of this spot were attempting to engage the rhetorical device of litotes — affirming something by slyly denying its opposite. (You suspected that, too, huh?)

“I’m not going to tell you X,” she says…and continues to tell us what she said she wasn’t going to tell us.

How clever.

How witty.

How pathetic.

Let’s start with the goal of this campaign: to tell Nordstrom’s fans in the vicinity of Thousand Oaks that a new Nordstrom store is opening near them. If you’ve never shopped at Nordstrom, this message isn’t intended for you.

If you’ve never shopped there, it will take more to get you in the door than being told the store has:

• Exciting looks from the best names in fashion for men, women and kids

• An array of shoes

* Knowledgeable salespeople

Yes, I know that Nordstrom provides service that outstrips most of its competitors. But non-customers don’t know that, and they won’t be convinced with those mindless clichés.

Meanwhile, Nordstrom customers know that Nordstrom sells nice, fairly expensive clothing and is famous for its personalized service. Those vacuous bullet points don’t reinforce their relationship to the brand. If anything, they hurt the brand by making it sound like every other department store.

(Okay, let’s be fair: It does set Nordstrom apart from department stores who advertise boring clothing from third-rate designers, a few shoes scattered about, and salespeople who don’t know the difference between Pierre Cardin and Pierre Trudeau.)

And the call to action? “To learn more, visit” their website. Yep, I can’t think of anything more interesting to do with my life. I think I’ll go online and learn more about Nordstrom.

Here’s the entire message that spot should have attempted to convey:

NEW NORDSTROM STORE OPENS FRIDAY IN THOUSAND OAKS — AT THE OAKS

That’s it.

Deliver that message any way you want. Sing it, yodel it, rhyme it in iambic pentameter. But that’s the message.

Best delivered sans litotes.

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CRITIQUE MY CRITIQUE re: SELLING VIBRANT PICTURES

I’ve created this post for any Radio Advertising Letter subscribers who would like to comment on the radio station sales imaging I critiqued in the newest issue.

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BOBBY OCEAN’S SUNDAY RADIO CARTOON


Illustration © 2008 by Bobby Ocean

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RADIO AS RETROYNM

An excerpt from the most important radio book of the 21st Century, THE INFINITE DIAL, by Larry Rosin.

The Infinite Dial, Larry Rosin

I’m a huge fan of words.

I solve the crossword puzzle every day. When I’m over there, I even give a stab at those British ones, which are very, very hard for an American.

Recently I came across a new English word: retronym.

A retronym is a word or phrase created because an existing term that was once used alone needs to be distinguished from a term referring to a new development.

Kind of a long definition, but if I give you a few examples you’ll quickly understand.

Retronym Example #1

For the first 500 years that a guitar existed, that word was sufficient to describe a guitar.

Then along came the electric guitar, which forced us to rename the original “guitar” as an “acoustic guitar.”

So, “acoustic guitar” is an example of a retronym.

Retronym Example #2

This was once known as the telephone or phone.

But over time it became called a “rotary phone” to distinguish it from the more advanced phones that came along.

Retronym Example #3

The stuff that came out of a faucet was once known as water.

But because so many people now drink so much bottled water, we had to rename this “tap water.” All of a sudden this stuff got a new name.

I was looking at this list of retronyms that someone had published and it occurred to me that I work very closely with an industry which is now also a retronym, which was once known as radio.

What was once known as radio has been rechristened as “terrestrial radio” — radio that just comes out of antennae.

All of these are cases where a new technology or advancement came along and forced the language to adjust to those changes.

But it’s not just language that has to adjust. Businesses have to adjust as new things come along.

The previous name for our entire radio industry has traveled way beyond its former meaning as just AM and FM.

I’ve researched this extensively in terms of what the consumer perceives different kinds of radio to be.

We have satellite radio, but the consumer perceives that as merely more radio.

Internet radio is seen by the consumer as more radio.

There’s radio that comes through the TV. You might not think of that as “real” radio, but when you ask consumers what it is they say,”Oh, it’s radio that comes through the television.” They see it as just more radio.

Podcasts are radio. Radio that has been captured and moved to your iPod.

In America, we are positioning HD radio as just more radio, extra radio, with extra stations.

So the consumer is already aware that radio no longer just means what’s on AM and FM. They are already aware there’s been an incredible expansion.

What they see is what I refer to as an Infinite Dial, a world where pretty much any kind of radio they ever might want to consume is available to them.

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