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ENDING YOUR RADIO SHOW WITH YOUR OWN CATCH PHRASE

Recently I wrote about the bad advice many radio personalities have been given: “Never say goodbye at the end of your show, because that tells people you’re leaving.”

Here’s one solution that works quite well for some jocks:

Come up with a standardized way (which does not necessarily mean saying the same thing verbatim every day) of ending your show.

If you have a humorous on-air style, this will help you:

You might choose to use the same words to end each program.

Casey Kasem got a lot of mileage out of, “Keep your feet on the ground and keep reaching for the stars.”

(No, that’s a bit too schmaltzy to fit my style. But to his everlasting good fortune, Casey is not I.)

Paul Harvey relied on just two words — plus a ton of precipitous silence — to end his program: “Good day!”

Two generations back, American TV journalist Edward R. Murrow ended each report with, “Good night and good luck.”

(Granted, Dan Rather had a lot less success with the bizarre, pretentious “Courage” as his sign-off. But hey, he tried.)

A generation later, it was Carol Burnett tugging on her earlobe at the end of her comedy/variety show. (A signal to her grandmother. I always hated that. But I didn’t watch the show very much, and I’m sure it was a hit with her fans.)

Long ago on Los Angeles radio, I would enjoy the wry remarks of The World Famous Tom Murphy, who often ended his show by saying, “And remember, each day do a little bit more than is expected of you…and pretty soon they’ll come to expect it of you.”

Years later I met Tom and told him how much I used to enjoy that sign-off. Tom told me the story behind it, which I’m sure we’d all be quite amused by if only I could remember it.

But rather than frequently ending his show that way, he should have ended every program with it. Then it would have become his trademark.

Huh??

Didn’t I already say I do not necessarily mean you should say the same thing verbatim every day?

Yes.

But if you say it so often that people wait for you to say it at the end of your show, it’s probably a good idea to give them what they want.

Next Installment: Don’t like ending with your own catch phrase? Some other suggestions you might like instead….

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The latest issue of my Radio Programming Letter includes an aircheck critique…followed by a recorded coaching session with the radio DJ whose was critiqued.

This posting is for subscribers to add their own comments….

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First, the commercial:

Here’s a perfect example of what the Heath Brothers call “the curse of knowledge”:

The people who created this radio commercial for Radio.com know exactly what it does, and they seem to assume the rest of the world knows, too.

Radio Advertising Solves Problems.

What problem does Radio.com promise to solve for its targeted listeners?

Does it solve the problem of having to listen to music that isn’t as well tuned to your tastes as you’d like?

Does it solve the problem of wanting (somehow) to become famous?

What the heck does Radio.com do?

Is it similar to Pandora.com, where a music playlist gradually is built around your personal tastes?

Or does it allow you to specify only the artists or songs you want to hear…and then somehow share your choices with the world?

What are the results the targeted listener enjoys?

“Taking the credit” (for…what?)?

“Creating the station you’ve been waiting for”?

“Telling the world just how cool you are”?

Anyone who thinks, “Well, when people who hear this commercial go to Radio.com, they’ll find out what they can do there” is operating on a false assumption: that people will care enough to find out what the heck this advertiser does.

If you want to use radio advertising to drive targeted listeners to a website, you must give those listeners are reason to go to that website.

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(video) THE JOYS OF RADIO COMMERCIAL PRODUCTION

video about radio production GreasemanThis video was shown at the Mercury Awards ceremony in 1995. It stars one of the most talented guys ever to work in radio, The Greaseman.

Can anyone here relate…?

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January 5-9, 1998: On the first Monday of 1998 I flew to England, where Claire Paul had arranged for me to conduct a seminar for several BBC local stations and then to participate in a panel session for The Radio Academy.

It’s a 10 – 11 hour flight from Los Angeles to London, and this time (I had made the same trip just two weeks earlier) I decided to try sleeping through most of it; perhaps that would enable me to arrive feeling completely refreshed.

After the in-flight dinner, I took a sleeping pill and slept until just before we landed — even missing breakfast. Claire picked me up at Heathrow Airport and drove me to the Langham Hilton, across the street from the BBC. But when I reached my room in mid-afternoon (Tuesday), I still was tired…and hungry.

I ordered a sandwich from room service, unpacked, ate the sandwich, collapsed on the bed…and woke up 3 – 4 hours later.

I had thought about seeing a play that evening, but now I wouldn’t have time. So I just sat around and vegetated all evening, eating another room service meal for dinner and channel surfing the television.

(I don’t know why, after checking every channel and finding nothing worth watching, I cling to the unfounded hope that if I go through them all again I’ll stumble upon something great.)

Sylvester Stallone prison movie

Yeah, I Watched It. We've All Done Things We Regret.

How zombie-like was I? Well, I watched much of the Sylvester Stallone movie, LOCK UP. Enough said.

Finally I went to bed at 3:00AM and awoke feeling remarkably refreshed at 5:00.

For 45 minutes I lazily enjoyed lying in bed and looking out the window at the empty London streets below. Then I got up, showered, collected and replied to my e-mail, and did some writing.

After a leisurely (but, for me, moderate) breakfast downstairs, I embarked on a stroll through London at 9:00.

The weather was remarkably mild for London in January, perhaps 50 degrees or so…perfect walking weather. From a couple of blocks away, I noticed two very large signs, on either side of the street, that said “GOLF SALE” and pointed toward a store.

As I got closer, I realized each of the signs rested atop an eight-foot wooden pole…and each pole was being held in place by some poor bloke whose job it was to stand there and hug the pole to keep it upright.

Although 50 degrees is very comfortable for me to walk in, wearing an open jacket, for most people that’ s a bit chilly. These two guys had to stand there for hours, motionless, absorbing the wind & cold. That can’t be a very enjoyable job.

Soon, however, I stopped thinking about them as I continued walking. I really felt terrific: fully rested & fed, with a very nice hotel as my base, in a place where (for a change) I understood the language, wandering aimlessly about one of the world’s busiest cities.

Walking up Oxford Street, the sidewalks were crowded with people rushing to work.

I, on the other hand, had absolutely no commitments to meet that day. It was a great feeling.

In fact, I had to restrain myself from approaching strangers and saying, “Pardon me, but I don’t have to be anywhere today.” Or, “Can you tell me the time? Oh, never mind, it really doesn’t matter.”

Next: Taking a chance on a crime novel in  Selfridges’ basement.

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