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The opening line of a radio commercial is the “commercial for the commercial.” It’s your one chance to grab the attention of the targeted listener.

Rarely do you capture the listener’s attention with an opening line such as this:

The rest of the commercial said nothing to back up that “better than ever” claim.

But that’s not the problem.

The problem is that no one woke up this morning thinking, “Gee, my life would be better if only Proactiv were better than ever.”

Sorry, Proactiv. One only hopes your better-than-ever product is better than your radio advertising.

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FACEBOOK MARKETING TELESEMINAR – FREE

facebook marketing for dummies

Amy Porterfield

I’ve convinced Amy Porterfield, co-author of the new FACEBOOK MARKETING ALL-IN-ONE FOR DUMMIES, to conduct a special, live teleseminar just for us radio and voiceover folks.

It’s free.

Sign up here.

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RADIO SHOW PREP vs. SPONTANEITY

Radio Show Prep is not scripting out every word of your program in advance.

It’s not following a formula or a blueprint from which you dare not deviate.

Show Prep is having a game plan.

I know there are a few misguided souls in our business who think “preparing” is “unprofessional.” That “a real pro” adlibs everything.

If you look at Radio not as just a “job” but as a profession, then there’s one fact you must face:

All professionals prepare…across all professions.

Preparing is professional, because preparing is caring.

Preparing is caring enough about your listeners that even if you’re having an “off day,” your show still meets a fairly high level of entertainment value, interest, and relevance to your listeners’ lives.

Great radio personalities occasionally have bad breaks….Bad moments….Bad ideas….But never bad shows. Because they prepare.

And the truly brilliant “spontaneous” performers — the great ad-libbers, the outstanding improvisational performers — will be the first to tell you that the more prepared you are, the more risks you can take.

Show Prep is your safety net.

You try something new, on the spur of the moment, and it works? Great! Run with it. You might never return to the rest of your day’s prep.

But if you try something completely spontaneous and untested and it flops — No problem. You’ve got your safety net to return to.

Real Show Prep allows and even encourages spontaneity.

Radio is the easiest thing in the world to do badly. That’s why there’s so much of it.

Bad radio is easy to do….While good radio is fun to do.

The more you prepare, the more fun you and your audience can have together.

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Recently a reader was startled when I said, “A good radio commercial isn’t one that entertains. Contrary to popular belief, it isn’t even one that people remember. A good commercial (in any medium) is one that motivates the targeted listener to act.”

The reader responded, “Surely you have to remember something about it in order to act?”

Certainly: You need to remember the communication it delivered.

The only thing you have to remember about a commercial is the actual sales message.

The commercial is simply the delivery system for the sales message.

Example:

Let’s say the commercial’s Call To Action is, “So the next time you need milk, look for Super Dairy Milk in the bright orange container.”

You’re in the supermarket’s Dairy section, shopping list in hand.

Your list includes, “Milk.”

You look up and notice a bright orange container with the name, “Super Dairy Milk.”

Hmmm. That milk is supposed to be good.

You compare prices and see it doesn’t cost more than the other milk brands on the shelf.

You reach for the Super Dairy Milk and check your list for the next item.

But it’s entirely possible that you don’t remember the ads you’ve heard for Super Dairy Milk.

Now, to bring you to that point, the advertisement did need to give you a reason to choose Super Dairy Milk. It needed to do so convincingly.

The spot needed to attract your attention.

It needed to communicate what I call the “core message” clearly.

And utilizing one of radio’s great strengths, Frequency, it communicated that message to you repeatedly.

Although of course as a copywriter I enjoy people telling me they loved my commercial, I’m more interested in learning whether it motivated them to act on the sales message.

As David Ogilvy said, “Don’t tell me you liked my ad. Tell me you bought the product.”

Finally, if you look at my original words you’ll note that I didn’t say it’s bad for people to remember your commercial. Of course not.

But plenty of misguided souls judge the “success” of their radio advertising on how many people remember — or “like” — the commercials.

I can reel off a long list of radio and television commercials many people remember with great fondness — but which failed to make the cash register ring for the advertiser.

Typically, those commercials win awards and new business for the ad agency that created them. Even if the client for whom the commercials were made went bankrupt.

(Sadly, that is not an exaggerated scenario.)

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SMART, EASY RADIO PROMOTION TACTIC FROM AUSTRALIA

A while ago, Zinc 101.9’s Scott Van Der Linden downloaded my 101 WAYS TO MAKE YOUR RADIO STATION INVINCIBLE, and along with nice words about the book (thanks, Scott) he offered a very smart tactic of his own:

At movie preview nights, don’t just welcome the listener at the door and intro the movie. Stand by the door after the movie and thank them for coming.

I did this by accident one night, and the reaction was amazing. Now I do it every time.

Once the listener has seen you introduce the movie and you’ve identified yourself, now they know who you are and what you look like.

270 listeners walk out of a cinema having really enjoyed a movie — and the last memory they leave with is you saying thanks for coming. It’s great positive reinforcement and gets you many more unsolicited calls the next morning from people who attended.

I’ve always urged stations to do a better job than the industry standard of welcoming listeners at station events — including movie screenings.

But it never occurred to me to make a concerted effort to thank each of them individually as they leave.

A wonderful, easy, smart guerrilla tactic to help make the most of a station event.

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