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Three ways your radio advertising can bore your targeted listener:

Talk to them about something that isn’t relevant to them.

I’m an American, which means that, for me, soccer is a boring sport to watch.

When I used to attend my young son’s soccer games, during the times when he was on the bench I’d shake my head and wonder, “Why are all those other parents watching when Matthew isn’t playing?”

When Matthew wasn’t on the field, the game lost its relevance to me.

Talk to them in a way that doesn’t make the relevance absolutely clear.

You know the cliché, “It’s not what you say; it’s how you say it.”

With a radio commercial, it’s what you say and how you say it.

Talk to them in a way that is completely predictable, based upon the expectations that have been established by most commercials.

If the first words or sounds of a commercial trigger a response of instant, complete recognition, then the listener will mentally tune out.

If you know what the weather forecast is, then as soon as you’re told, “And now the weather,” you stop listening.

And — think about this — if you do know what the weather forecast is but you don’t know the score of last night’s basketball game and immediately before announcing the score the radio station says, “And now the weather,” you stop listening.

Because they were too predictable, you stopped listening…even though your prediction was wrong.

It sounded as though it was going to be nothing more than a forecast, and you didn’t need a forecast….

So you stopped listening.

When an advertisement begins and the targeted listener thinks, “Oh, it’s another car dealer commercial where some guy screams at me over bad, loud music,” the listener’s mind is freed to attend to other, less predictable (and therefore more interesting) diversions.

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WHERE TO STEAL GOOD RADIO STATION LINERS

A Loyal Reader Writes:

“I’m a PD who is responsible for writing all the imaging material for my stations. Coming up with ideas for these seems to be more challenging every day. Do you know of any good resources for ‘stealing’ creative liners?”

No; that’s not something I would recommend even if knew of any.

Station Imaging doesn’t come from using other people’s liners; it comes from creating, communicating and building upon a genuine connection between you and your audience.

Despite widespread belief to the contrary among radio programmers, Station Imaging does not consist of snappy one-liners.

Real Station Imaging is a combination of two thing:

1.  Reflecting back to your core audience the ways in which they really do use your station (entertainment, information, companionship — it varies according to your station and your audience).

2.  Making a promise to your listeners.

What do you promise?

You promise to deliver what your audience already has told you they expect from you (i.e., #1, above).

Station Imaging Is Not Sloganeering.

Sorry. I realize it’s easier to parrot a clever slogan than to identify and then communicate your station’s Unique Listening Proposition.

Illustration:

What’s the slogan upon which Federal Express (now FedEx) was built?

“When it absolutely, positively has to be there overnight.”

Wrong. Sorry, that was a trick question.

“When it absolutely, positively has to be there overnight” was not a slogan. It was a promise.

So you begin your quest for a good station liner by answering the question, “What promise do we make to our listeners?”

And then you look for ways to present that promise compellingly and concisely.

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The opening line of a radio commercial is the “commercial for the commercial.” It’s your one chance to grab the attention of the targeted listener.

Rarely do you capture the listener’s attention with an opening line such as this:

The rest of the commercial said nothing to back up that “better than ever” claim.

But that’s not the problem.

The problem is that no one woke up this morning thinking, “Gee, my life would be better if only Proactiv were better than ever.”

Sorry, Proactiv. One only hopes your better-than-ever product is better than your radio advertising.

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FACEBOOK MARKETING TELESEMINAR – FREE

facebook marketing for dummies

Amy Porterfield

I’ve convinced Amy Porterfield, co-author of the new FACEBOOK MARKETING ALL-IN-ONE FOR DUMMIES, to conduct a special, live teleseminar just for us radio and voiceover folks.

It’s free.

Sign up here.

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RADIO SHOW PREP vs. SPONTANEITY

Radio Show Prep is not scripting out every word of your program in advance.

It’s not following a formula or a blueprint from which you dare not deviate.

Show Prep is having a game plan.

I know there are a few misguided souls in our business who think “preparing” is “unprofessional.” That “a real pro” adlibs everything.

If you look at Radio not as just a “job” but as a profession, then there’s one fact you must face:

All professionals prepare…across all professions.

Preparing is professional, because preparing is caring.

Preparing is caring enough about your listeners that even if you’re having an “off day,” your show still meets a fairly high level of entertainment value, interest, and relevance to your listeners’ lives.

Great radio personalities occasionally have bad breaks….Bad moments….Bad ideas….But never bad shows. Because they prepare.

And the truly brilliant “spontaneous” performers — the great ad-libbers, the outstanding improvisational performers — will be the first to tell you that the more prepared you are, the more risks you can take.

Show Prep is your safety net.

You try something new, on the spur of the moment, and it works? Great! Run with it. You might never return to the rest of your day’s prep.

But if you try something completely spontaneous and untested and it flops — No problem. You’ve got your safety net to return to.

Real Show Prep allows and even encourages spontaneity.

Radio is the easiest thing in the world to do badly. That’s why there’s so much of it.

Bad radio is easy to do….While good radio is fun to do.

The more you prepare, the more fun you and your audience can have together.

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