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Yesterday Terry teased “one of the greatest secrets” of show prep, revealed to him by “an old Italian morning man.” Here, Terry reveals the secret.

I believe it was this moment that caused me to adopt a habit that people who know me instantly will recognize. (Hint: Something that’s always in my shirt pocket).

Terry Moss Black Bart AFRTS Panama Canal Zone TV show

During his stint with Armed Forces Radio & Television, Terry (far left) portrayed the notorious Black Bart on a popular Canal Zone children’s show. (Also featured in the photo, left to right, are Kathy Holcomb, Carl Gentry, and Mike “Happy” Hoyer.)

Although popular with TV viewers, radio listeners, and his fellow servicemen, Terry was considerably less popular with “the brass.” Gerald M. Fry recalls this incident — which I never heard about from Terry — from the Panama Canal Zone during the Vietnam War:

I was Terry’s commanding officer in Armed Forces Radio & Television. I should have kept the infamous anti-war morning show that Terry pre-taped in 1969. I turned on SCN Radio that morning as I always did while preparing to go to work and couldn’t believe what I was hearing — wall-to-wall anti-war songs of the day (this was the day of the big peacenik march on Washington, D.C.) with no Terry in between.

I called him to see what was going on and he confessed that he not only planned this personal anti-war statement, but knowing that he might be caught in the act, he had pre-taped the entire two-hour show.

I ordered him to dump the tape, go to a PSA, then resume a normal, live wake-up show with time hacks and community announcements and no more anti-war music. I also told him that I would try to save his rear end from a court martial should anyone above me have heard what was on the air.

Of course they were listening, and I was called on the carpet to explain how such a thing could happen. I successfully saved him from an Article 15 court martial, but I was ordered to pull him off the air permanently. My argument that we had no one presently on staff that good fell on deaf ears and I had to relegate Terry to strictly production duties where his pre-recorded stuff could be auditioned before it aired.

Naturally, everything he turned out of the production booth was highly creative, original, full of life, and mostly funny. Working with our limited production library, he found the elements he needed from our music library and turned out first-class work.

Terry was very apologetic for embarrassing me by his actions that day, but he felt strongly about the Vietnam war and had to express himself in the most creative way at his disposal. I was more upset with him for letting the cat out of the bag that we had all those songs in our library — my instructions had been to play them very selectively at times when command brass would be unlikely to hear them. Military paranoia was quite evident in the Canal Zone in those days.

Tomorrow: A pop quiz from Terry for all radio personalities.

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"ASK MIKE McVAY" OPEN FOR REGISTRATION

NOTE: Today’s REAL posting is immediately below this teleseminar update.

The Ask Mike McVay About Radio Programming teleseminar is open for registration. Limited to 195 attendees.

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TERRY MOSS: Real Radio Guy. Sorely Missed Friend.

Terry Moss was an unpretentious, supremely talented, highly creative radio personality and production wizard. He had cool, fun ideas and brought them to life — among them, the Cheap Radio Thrills series that still is used by radio stations around the world. (I’ve heard CRT cuts on the programs of virtually every “big name” in North America, regardless of format.)

Terry was a friend, inspiration, cohort and pal. He died 14 years ago. Saturday, October 25, is his birthday. For the rest of this week, I’m going to tell you about Terry Moss.

Terry Moss

Everyone I’ve ever met who worked with Terry as a disc jockey says he was the most prepared jock they’d ever seen — and the most relaxed behind a microphone. He never had to try to be a radio personality; he just sat down, opened the mic, and made his listeners feel at home as a host welcomes guests to his party.

People who knew him as a production guy don’t talk about his editing skills. They say, “When he was in the production room, he was so creative — Well, it was amazing.”

Terry founded L.A. Air Force (which now is part of my company), and he was Editor and then Publisher of a show prep service I founded, Galaxy.

His sense of fun caused the Federal Communications Commission to make a new rule against — well, basically, a rule against having fun on the radio. (I’ll tell you that story — complete with audio — on Saturday.)

His sense of conscience almost got him court martialed while broadcasting for Armed Forces Radio & Television in the Panama Canal Zone.

Terry Moss played the last Top 40 record on KHJ/Los Angeles, and he was one of a handful of air talents chosen to figure out how to deliver a personality-oriented music program via satellite to stations across the country.

Between now and Saturday, I’ll share with you some of Terry’s advice to jocks, taken from a panel session I produced & moderated at an NAB convention in 1985. You might be bored, you might be interested; I don’t know. But this is one of radio’s all-time shining stars, talking directly to you, trying to help if he can. That’s what Terry Moss always did.

Yeah, the rest of us on the panel thought he was talking about the power of “the tease,” too. But that’s not it. Because Terry chose not to reveal his secret immediately, I’ll honor his wish and wait until tomorrow to share it with you.

I remember visiting the new, eerily quiet Hollywood studios of Transtar. It was a radical new idea: providing 24-hour live, “local-sounding” music programming to radio stations all across the U.S. Transtar became Unistar, which ultimately was purchased by Westwood One.

Here’s Terry Moss, explaining a concept that now is familiar to everyone in radio but at the time was brand-new and unfamiliar to most of the industry.

Tomorrow: Terry reveals his secret show prep method. Plus the story of how he almost spent a couple of years in the brig — because he had something to say that he was willing to risk his freedom for.

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MONDAY COMMERCIAL SMACKDOWN: Investment Advice

Unlike many of the commercials I critique in this space, this one is not a piece of crap. But it’s nowhere as good as it should be.

Here is the first of two compliments I will give to this commercial: There are few enough words to allow for a conversational delivery. This is a serious message, and cramming in too much information, hype or “entertainment” would contradict the sober, mature message they are attempting to deliver.

• You have only 60 seconds to deliver your message. Don’t waste time by telling the listener that what you’re about to say is a fact and then telling them a fact.

Compare these two opening lines:

(Original) It’s a fact: If your investment portfolio is worth $500,000 or more, you are a high net worth investor…

(Revised) If your investment portfolio is worth $500,000 or more, you are a high net worth investor…

Is the message in any way strengthened by beginning with, “It’s a fact”? No? Is it weakened by omitting those 3 words? No? Then delete those 3 words.

The Opening Line Is The Commercial For The Commercial.

This spot attempts to attract the attention of “high net worth investors.” Which opening line is more likely to attract such listeners?

“It’s a fact…”

or

“If your investment portfolio is worth $500,000 or more…”

In a radio commercial, there is no time to waste. Hit the ground running, by grabbing the attention of your target audience.

• What is the value of stating that “If your investment portfolio is worth $500,000 or more, you are a high net worth investor”?

“High net worth investor” might well be part of the investment world’s lexicon, but what’s important to the targeted listeners is that they have investments worth at least $500,000.

Because the term isn’t used again in the commercial, clearly it’s not there for legal reasons; this offer is not being made only to “high net worth investors.”

Delete “high net worth investor.”

• “And if you want to better protect your sizable investments, you have to avoid making disastrous mistakes that can seriously reduce the value of your portfolio.”

— Oh! So making disastrous mistakes that can seriously reduce the value of my portfolio might harm my investments? What a revelation. Note to self: Making disastrous mistakes = NOT good.

• “That’s why we believe” — More wasted time, wasted words, unnecessary demands on the listener’s attention.

• As so often is the case in direct response commercials, the telephone number is given before anyone in the audience could possibly want it.

HERE COMES THE CLUE TRAIN: First make people want what you have, THEN tell them how to get it.

• They also introduce the advertiser’s name before it is relevant to the audience. Why should they care about Fisher Investments? Because that’s who will give them this valuable, free report. But the first time Fisher Investments is mentioned, the “valuable report” hasn’t yet been introduced to the listener.

• They include one very good word: “loaded” — “This free report is loaded with easy-to-understand tips and techniques….” Suddenly an informal, action-oriented word, followed by an easy to digest description.

But then they return to redundancy: “techniques that you can use to keep your portfolio safe — and help prevent losing years of investment gains.”

Um, don’t “keep your portfolio safe” and “prevent losing years of investment gains” essentially mean the same thing? (“Keep your portfolio safe” is broader, but in this commercial they mean the same thing.)

• A tiny thing, but one that signals to the listener, “Bad Communicator At Work”: “To get your free report titled The Eight Biggest Mistakes Investors And How To Avoid Them“ — using “titled” in that context is like saying “located at.”

Would it be any weaker to say, “To get your free report, The Eight Biggest Mistakes Investors And How To Avoid Them”?

No? Sorry, “titled,” you’re gone. If it’s not actively helping the sales message, it doesn’t belong in the commercial.

• Finally, the message isn’t specific enough. It begins by identifying a well defined group: investors whose portfolios are worth $500,000 or more. But for whom was their free report created? According to the title, it’s for “investors.” Not “high net worth investors” (which would have justified the use of that phrase earlier in the spot).

It’s like saying, “Hey, vegetarians! You should get our terrific new cookbook, 1,001 Tips For Better Barbecuing.” If you’ve gone to the trouble of attracting the attention of vegetarians, how about offering them 1,001 Tips For Vegetarian Barbecuing?

QUICK & DIRTY REWRITE

Right now I have a major copywriting job awaiting my attention, so I’m determined not to spend hours on an unsolicited (and probably unwelcomed) freebie rewrite. So I’ll give this no more than 5 minutes, starting….NOW.

If your investment portfolio is worth at least $500,000, you need to protect it. After all, investments and securities involve the risk of loss. Even sophisticated investors can make disastrous mistakes — sometimes by what they do, sometimes by what they don’t do. If you’re a high net worth investor, you need to read our free report, “The Eight Biggest Mistakes High Net Worth Investors Make And How To Avoid Them.” This free report is loaded with easy-to-understand tips and techniques that will keep your portfolio safe — and protect your future. We’re Fisher Investments, and helping people like you protect their financial futures is what we do. For your free report, call 1-800-900-4179. That’s 1-800-900-4179. You’ve got nothing to lose by making that call — but a lot to lose if you don’t protect your investment. Call now for your free report at 1-800-900-4179.

That’s not polished. It could be better. But my 5 minutes are up.

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Those are the major topics in the current issue of my Radio Programming Letter.

I’ve created this post for any subscribers who would like to comment, disagree, or illuminate.

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