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WHO KILLED RADIO’S GOLDEN GOOSE?

You know the story about The Goose That Laid The Golden Egg? It’s about, uh…a goose. And I guess it laid golden eggs, and people did stuff that caused the golden eggs not to be laid any more. The end.

Fine, go look it up if you want more details. But the moral has something to do with greed and ignorance and shortsightedness.

Gosh, why does that remind me of the way large companies are running U.S. radio stations?

Today a well-known, veteran radio salesperson who wishes not to be identified drew my attention to a Stupid Radio Trick I really hadn’t considered (because my focus usually is on the radio advertising message, not the radio sales system).

The Way Commercial Radio Used To Be. (You know, back when you had to try really hard to lose money operating a radio station? Back when we had news departments, live humans answering the phones, and actual, honest-to-goodness programming variety — vs. a vapid slogan that falsely claims variety?)

“Mr. Merchant, your commercial will air 40 times per week on our station, so people will hear it repeatedly. We call that ‘frequency,’ and it’s one of radio’s great strengths.

“Also, the commercial we air will be designed specifically for our listeners. That’s to make sure the message matches the audience. No sense in playing a rock ‘n’ roll commercial for listeners who prefer classical music, is there? Ha ha, of course not!”

The Way Corporate Commercial Radio Is Today. (But completely unrelated to the fact that stations are struggling to keep their heads above water.)

“Ms. Merchant, we’re going to spread your 40 weekly commercials across all six of our local stations. That way LOTS of people will hear your commercial…once. Or maybe even twice, if you’re lucky. We call that ‘selling a package to clients who don’t know better.’

“Plus, to minimize cost and maximize efficiency, your one commercial will run ‘as is’ on all six stations. Heck, if a commercial message works well with our Soft AC listeners, I can’t think of any reason it wouldn’t also communicate effectively to our Hip Hop audience.”

So let’s review our game plan: A (usually) lame commercial, heard not often enough by the wrong audience.

How could that not be working?

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An incredibly bad radio commercial:

For the first 30 seconds of this spot, it seems to be about fashion. Finally we realize they’re not talking about style; they’re talking about…uh, snow? Skiing? Boarding? Incredible deals?

One of a kind packages on lodging and lift tickets

Oh, really? What exactly are “one of a kind packages”? They’ve created a different package for each customer?

Colorado’s legendary snow is back.

Ah, yes, the legend of Colorado snow. No one knows for sure if it’s true, but what a wonderful story it is, handed down from generation to generation.

By popular demand

By popular demand, winter has returned? Perhaps that could be the basis of a cute commercial conceit. But as a single line that comes from nowhere and leads nowhere?

Endless sunshine

Well, dadgum! I’d a-thunk the sunshine disappears plum near every evening in Colorado in the winter. The things you learn from radio advertising.

“Amazing” ski resorts

Unless you’re referring to Kreskin, Randi, or The Amazing Race, only an amateur uses “amazing” to describe the advertised product or service. “Amazing” can be applied — with equal lack of effect — to virtually any product or service. (And while we’re at it: I’m sure Colorado’s ski resorts are quite nice. I have a hunch, however, that no experienced skiier or boarder is “amazed” by them.)

Confusing the audience is not a good thing:

First it was black. Then brown became the new black. Until grey became the new brown.

Were Colorado’s ski resorts previously black, brown and grey? What the heck are they talking about? Even if that makes sense to fashionistas (I wouldn’t know), it doesn’t make sense to skiiers and boarders.

Skiing is a kinesthetic experience: movement, speed, twists & turns, skis on snow, air rushing past. Why are they spending all that effort trying to get us to visualize “white” rather than to feel the sensation of skiing?

The male voice repeatedly focuses the listener’s attention not on skiing, not on skiiing in Colorado…but on the meaningless phrase, “winter white.” And we can hear him trying to sound cool. (Hint: If people can hear you trying to sound cool, you don’t.)

That ludicrous attempt at sounding cool combines with the amateurish echoing of “winter white” by the female voice. (I’m not certain, but that female sounds an awful lot like the woman delivering the body of the copy.) What is this: A commercial running on a major Los Angeles radio station or a college student’s first effort in Production 101?

The overall impact is smug. They sure sound impressed with themselves, don’t they?

Even their slogan (at the end) is unfocused:

See, do, eat, stay, go.

Is that specific to Colorado skiing?

Knott’s Berry Farm: “See, do, eat, stay, go.”

South of the Border: “See, do, eat, stay, go.”

South Dakota: “See, do, eat, stay, go.”

What is their Call To Action?

Be a part of the phenomenon.

Oh, okay, right. I’ll do that.

Advertising solves problems.

What problem does this commercial solve?

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DUMB TOYOTA SPOT and/or BRILLIANT IRA GLASS PITCH

I’ve created this post for any Radio Advertising Letter subscribers who would like to comment on the terrible Toyota spot and/or Ira Glass’s brilliant “pledge break” approach in the newest issue.

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BOBBY OCEAN’S SUNDAY RADIO CARTOON

Bobby Ocean Radio Cartoon

Illustration © 2009 by Bobby Ocean

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JOHN RECORDS LANDECKER: His First Air Shift

John Landecker, John Records LandeckerHere’s a piece of the legendary John Records Landecker’s very first air shift, as a teenager hosting the Saturday Midday Ride on WOIA/WOIB in Ann Arbor, Michigan, 1966.

You’ll also hear the “live” commentary provided by John as the air check was played for attendees at one of my radio seminars. Listen for the surprise appearance of “Radio’s Best Friend.”

Yep, John “faked” a call, having a buddy call in to make a request.

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