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HOW TO SUCCEED AS A RADIO PROGRAM DIRECTOR

A Loyal Reader writes:

“I’ve just been promoted to Program Director (in addition to already doing Mornings).

“I wondered if you had any words of advice to pass on from all the extensive wisdom that’s plopped into your head from your years in the industry.”

Sure.

Learn all you can.

Be aware there usually is more than one “correct” way to do things.

Be aware that there always is stuff you haven’t learned or discovered yet.

Learn how to delegate. Immediately.

Know that you’re stepping into the loneliest job in the radio station. You’ll no longer be “one of the jocks,” Sales will perceive you as a perceptual roadblock to their efforts to bring in the cash, and Management will blame every station hiccup (including the tower being struck by lightning) on you.

Oh, and try not to turn into a jerk.

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RADIO PRODUCTION DIRECTOR SWEARS THIS HAPPENED

The commercial production director of a major market radio station swears this happened to him.

“After all the years of doing this I thought I had witnessed every possible stupid salesman’s trick. Wrong!

“One comes up to me and says, ‘You know that spot you did for Client X? We are not getting any response.’

“I say, “Well, what do you think is wrong?’

“She says, “Well…I did put the wrong phone number in the copy.”

“I sat there stunned for a while and then said, ‘Why don’t you call that wrong number and see what kind of response they are getting??’ ”

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THE UNBELIEVABLE HISTORY OF RADIO DJs

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Here’s the beginning of a radio commercial running in Los Angeles.

It’s the kind of thing I might offer as a parody of a typically bad radio advertisement.

Can you write something even more meaningless, with more cliches, for those first 16 seconds?

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(video) TEXT ANALYSIS FOR VOICE OVERS

Christine Coyle, longtime Creative Director of Dick Orkin’s Famous Radio Ranch, demonstrates how “text analysis” isn’t a boring, academic exercise; it’s a tool that helps voice actors nail their performances.

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