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A Loyal Reader Asks:

“What do you think of ‘pre-testing’ radio commercials, to see if they really work before launching the campaign — which long has been standard for national television ads?”

I’m all for it — depending upon the test design.

It’s true that testing is very common for big budget TV campaigns.

It’s also true that many “pre-tested” TV ads don’t work, either. But that’s due to poor testing that allowed bad ads to get through.

If radio commercial pretesting is designed by academics who know nothing about advertising or by advertising professionals who know nothing about testing, they’ll probably do something silly like test for “recall” or “likability.”

(There’s one academic out there who tests for…Well, I’ll save that for a future article.)

Testing for “likability” is very popular among People Who Like To Write About Advertising But Can’t Create It Themselves.

Who cares whether people say they like a commercial or not? There are plenty of successful commercials consumers say they dislike.

(You can think of at least one campaign that you dislike but which you know worked.)

And there are plenty of campaigns that consumers loved but which lost money for the advertisers.

“Did you like it?” is a foolish question.

“Did/does it motivate you to act on the sales message?” — to make the purchase, to go to the website and take the specific action, to pick up the phone and request the free information, etc. — ultimately is the only question worth asking.

But what about “recall”?

1.  Recalling a commercial that does not motivate you to buy doesn’t put a penny in the pocket of the advertiser.

2.  One of Radio’s great strengths is Frequency. Even a weak message can score well in “Recall” with a heavy advertising schedule.

But the typical test design has a number of people listen to one or more radio commercials — just once per commercial — and then later tests for recall.

In no way does that mirror the real world of radio listening.

If I wanted to score well in such a test, I’d definitely load up the spot with outrageous humor, shocking language, and/or a wacky character.

That’s the kind of commercial that scores well in a single-exposure test for “recall.”

But that’s not the real world.

If I were asked to help design a standardized radio commercial “pre-test,” here’s the single most important element it would test for:

“What is the one message — above any and all others — that you get from that commercial?”

In other words, I’d test for the efficacy of what I call the “Core Message” — the one thing you want the targeted consumer to hear, to understand, and to remember.

Sure, there are other things I’d test for.

But singe Core Message is the biggie.

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HOW TO STAY IN RADIO’S “THE BIG TIME”

A Loyal Reader Writes:

Here’s a career update that I’m really proud of: I got the gig doing afternoons at (Big Station in Top 3 market) starting on Monday. Now comes the hard part: staying here! Any advice?”

1.  Don’t get lazy.

2.  Never walk into the studio unprepared.

3.  Have fun.

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First, check out this commercial critique from almost two years ago.

Last week I happened to see an article about how mobile devices are handling more & more of life’s daily functions.

It included a candid photograph of a plumber sitting in his truck, holding his iPhone in one hand and a check in the other.

The caption explained he had just finished a job at someone’s home, had been paid by check, and now was using his iPhone to deposit the check into his bank account.

He wasn’t jumping around. He didn’t appear to be excited. He wasn’t yelling to his wife.

But a customer had just handed him a check, and 2 minutes later he was in the cab of his truck, depositing that check into his bank account.

THAT is the result the Chase radio commercial should have been selling.

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The opening line of a radio commercial is the commercial for the commercial. It’s the one opportunity to attract the attention of the targeted listener.

Does the opening line of this spot grab your attention?

The people who created this radio advertisement brainstormed, and the best way they could come up with to begin the spot was to declare that the advertiser “is sporting a $50 million redesign that you have to see to believe”?

And the rest of it….

“Splash with your family on exhilarating water slides”??

Let me guess: The original radio copywriting was done in some other language, and then they used Google Translate for the English version.

“Say, honey! Let’s take the family to La Costa Resort & Spa, where we can splash on their exhilarating water slides!”

And the voice over performance. Do you hear even a hint of “exhilaration”? Or a hint of “relaxation” when she mentions the pool?

And the copywriter invites the listener to “discover the nation’s #1 wellness spa and so much more.”

At least La Costa doesn’t need to worry about listeners becoming bored or confused by that commercial. That 15-second spot will sail past them like so much white noise.

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I’m just sayin’….

And here’s a rather more appealing video.

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