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Henry Ford revolutionized manufacturing with his adoption of the “assembly line” process for building cars.

Someone needs to tell the people in charge of Ford’s radio advertising that the assembly line approach is deadly when applied to radio commercial campaigns.

When a commercial begins, listeners think, “Is this going to be something I care about?”

Listen to the opening line of this spot, then you tell me: Will listeners hear the beginning of the advertisement and think, “Yes! This is something I care about it! This is something I will devote my attention to, to the exclusion of whatever else is going on around me”?

Sure, I could continue with a list of all the other things this spot does wrong. (Hint: It does everything wrong.)

But the list is irrelevant, because no radio listener will have stuck around past that opening line.

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If I Made A Commercial For Trader Joe's videoWhat can I say? It’s just plain excellent.

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A Loyal Reader Asks:

“What do you think of ‘pre-testing’ radio commercials, to see if they really work before launching the campaign — which long has been standard for national television ads?”

I’m all for it — depending upon the test design.

It’s true that testing is very common for big budget TV campaigns.

It’s also true that many “pre-tested” TV ads don’t work, either. But that’s due to poor testing that allowed bad ads to get through.

If radio commercial pretesting is designed by academics who know nothing about advertising or by advertising professionals who know nothing about testing, they’ll probably do something silly like test for “recall” or “likability.”

(There’s one academic out there who tests for…Well, I’ll save that for a future article.)

Testing for “likability” is very popular among People Who Like To Write About Advertising But Can’t Create It Themselves.

Who cares whether people say they like a commercial or not? There are plenty of successful commercials consumers say they dislike.

(You can think of at least one campaign that you dislike but which you know worked.)

And there are plenty of campaigns that consumers loved but which lost money for the advertisers.

“Did you like it?” is a foolish question.

“Did/does it motivate you to act on the sales message?” — to make the purchase, to go to the website and take the specific action, to pick up the phone and request the free information, etc. — ultimately is the only question worth asking.

But what about “recall”?

1.  Recalling a commercial that does not motivate you to buy doesn’t put a penny in the pocket of the advertiser.

2.  One of Radio’s great strengths is Frequency. Even a weak message can score well in “Recall” with a heavy advertising schedule.

But the typical test design has a number of people listen to one or more radio commercials — just once per commercial — and then later tests for recall.

In no way does that mirror the real world of radio listening.

If I wanted to score well in such a test, I’d definitely load up the spot with outrageous humor, shocking language, and/or a wacky character.

That’s the kind of commercial that scores well in a single-exposure test for “recall.”

But that’s not the real world.

If I were asked to help design a standardized radio commercial “pre-test,” here’s the single most important element it would test for:

“What is the one message — above any and all others — that you get from that commercial?”

In other words, I’d test for the efficacy of what I call the “Core Message” — the one thing you want the targeted consumer to hear, to understand, and to remember.

Sure, there are other things I’d test for.

But singe Core Message is the biggie.

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HOW TO STAY IN RADIO’S “THE BIG TIME”

A Loyal Reader Writes:

Here’s a career update that I’m really proud of: I got the gig doing afternoons at (Big Station in Top 3 market) starting on Monday. Now comes the hard part: staying here! Any advice?”

1.  Don’t get lazy.

2.  Never walk into the studio unprepared.

3.  Have fun.

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First, check out this commercial critique from almost two years ago.

Last week I happened to see an article about how mobile devices are handling more & more of life’s daily functions.

It included a candid photograph of a plumber sitting in his truck, holding his iPhone in one hand and a check in the other.

The caption explained he had just finished a job at someone’s home, had been paid by check, and now was using his iPhone to deposit the check into his bank account.

He wasn’t jumping around. He didn’t appear to be excited. He wasn’t yelling to his wife.

But a customer had just handed him a check, and 2 minutes later he was in the cab of his truck, depositing that check into his bank account.

THAT is the result the Chase radio commercial should have been selling.

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