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radio personality tip how often to give nameHere is one of the most controversial statements I make during my radio seminars:

“You should give your name frequently during your show.”

Pretty shocking, huh?

By frequently, I mean:

  • Every ten minutes or so (if you talk a lot)
  • During every break (if you’re a music jock)

And oh, the turmoil that results from this simple suggestion.

“Every ten minutes??”

“Every break??”

Shocking! Outrageous! Not in our market! Not in our culture! Not in our format!

How egotistical! Conceited! Self-centered!

“Okay,” I reply. “How often do you think a personality should give his or her name?”

And the answers (depending upon format, country and culture) are:

A) Once every hour (at the “top” of the hour)

or

B) Once per show (at the beginning of the program)

Either of these choices would be (I am told) much more modest and unassuming.

To this I reply:

Giving your name only at the beginning of your show (or only at the “top of the hour”) is conceited. It is egotistical. It is rude.

Giving your name only at the beginning of your show is like hosting a party and introducing yourself only to the very first people who arrive. And then for the rest of the evening, you don’t bother to introduce yourself to any other guests, because “they must know who I am.”

Frequently identifying yourself to your listeners is courteous.

It’s thoughtful.

It’s generous of you.

It shows that you are concerned with their comfort.

There always is someone who has just tuned in…and if you’re personable and interesting, that person will want to know who you are.

Listeners need what has been called “the confirmation experience”: Have they found the right station? The right host?

Remember, they don’t have any visuals with which to identify you; all they have is your voice. And even loyal listeners often have trouble identifying your voice.

Don’t believe me? Have you ever had the experience of a friend or relative — or even a spouse — compliment you on something they heard you do on-air…only to have you tell them, “That wasn’t me”?

Well, if people who know you sometimes can’t identify your voice, imagine how difficult it is for people who have never even met you.

Road Signs

Imagine that you drive 100 miles to work each day.

There are hundreds of signs along the 100-mile route: speed limits, exits, mileage markers, road identifiers, advertisements, etc.

The first time you make that drive, you notice almost all of them…because you’re anxious not to make a wrong turn or miss an exit.

Now imagine you’ve been driving that route every day for several months. How many of those signs do you consciously notice?

Maybe one or two.

That’s because once you know exactly where you are and where you’re going, your mind filters out the extraneous information.

It’s the same thing on a radio program. The only listeners who consciously hear you identify yourself are those who aren’t sure (or have no idea) who you are.

The ones who do recognize your voice, who already know to whom they’re listening, don’t even hear your name as it’s given frequently during your show.

“Announcers” May Remain Anonymous

Note that in this discussion we are talking about personalities, not “announcers.”

An “announcer” is someone who only does exactly what s/he is told to and never brings any of his/her own personality to the airwaves.

If all you ever do is read the liner cards and deliver endless, monotonous backsells (“That was ______, and before that we heard ______, and before that we heard ______….”), then telling people your name once a week is too much.

Expect Complaints

The Bad News: If you work at a station where hosts don’t already give their names frequently, you very possibly might hear some complaints about your giving your name more frequently.

The Good News: Those complaints won’t be from your listeners. They will be from one or two other staff members at your station. They have been in radio forever — possibly at this one station forever — and “that’s not the way we do things around here!”

Unless you have reason to believe that those two people fill out ratings diaries or are hooked up with Portable People Meters (which of course they shouldn’t even if they get the opportunity), ignore them.

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First, let’s listen to the radio commercial.

That’s a typical example of an agency that is intent on “branding” (which, for Pepsi, makes sense) but doesn’t understand how radio advertising works.

The Rationale: Pepsi’s Slogan of the Moment is “Live For Now.” So let’s give a bunch of amusing, quirky examples of how listeners could be “living for now.”

The Reality: The amusing, quirky examples were communicated only with words, not with word pictures. As a result, even now you’re having a hard time remembering more than one of them.

(The one you might be remembering is “China,” because possibly you envisioned a little village when you heard “tiny province in China you can’t even pronounce.”)

They wasted 30 seconds trying to prove how clever they are, while the audience is left with nothing.

And the Guitar Center tag? Well, I’m guessing it’s part of the spot because in the U.S. you don’t hear many 45-second commercials.

If indeed it’s part of the Pepsi commercial, the 15-second plug for the music contest wipes away any hope of anyone remembering the point of the 45 seconds that preceded it.

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Most American adults are particularly distracted today, the one day every four years when we elect a President.

So instead of talking about radio advertising or programming, when fewer people than normal are likely to read this, I’ve decided to share with you one of my videos that is surprisingly popular on YouTube — given its complete lack of promotion and…well, its light content.

I have stayed in thousands of hotel rooms in 36 countries. But I’ve never stayed at a hotel where Housekeeping is even sloppier and more incompetent than I am at making a bed.

Until a few years ago, when I spent a week at Spangdahlem Lodging (Germany).

It was so bad that I turned to the U.S. Army for help.

 

View the How To Make A Bed video here.

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MONDAY RADIO COMMERCIAL & TRAFFIC REPORT SMACKDOWN

This is from a large Los Angeles radio station, owned by a very large radio group.

Is it just me, or….?

That was logged both as an “information” break and as a paid radio advertisement.

Would you say listeners received any value from the “information”?

Did the advertiser receive any value?

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Yes, There Is Still Originality On Radio

I originally shared this in the early days of this radio blog. If you weren’t a loyal reader then, probably you never saw it.

Rune Dahl of Radio Norge made me aware of this radio phone bit (I hate the term “prank call”) by Bård and Vegard Ylvisaaker, aka the Ylvis Brothers.

Bård Ylvisaaker, Vegard Ylvisaaker, Ylvis Brothers

The Ylvis Brothers

A phone bit? What could anyone possibly do that’s new?

The set-up is the guy is too nervous to talk on the telephone, so he sings instead. Give it a listen:

The Back Story

I asked Bård how they came up with this concept….

This was actually made on the last day on air {at NRK — Dan} for us. We needed something that could make us leave the air with a blast, and we were really quite desperate.

We’d been thinking about making a phone call as an improvised musical for a long time, but actually found the idea a bit cheesy — or cheap. But since we had no other idea, we tried it — and it turned out to work better than we imagined.

My brother, Vegard, played the piano in studio, while I was singing. We didn’t rehearse anything, just gave each other some signs to hint what moods we wanted for the separate parts.

Every now and then I hear something that’s both creative and new, and it gives me hope.

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