As far as I know, Terry Moss’ first entrepreneurial venture was a monthly aircheck service called CAL-ROCK. As a young DJ, I was a subscriber.
His next contribution to radio personalities around the world continues to bring smiles to DJs and listeners alike: The first volume of what became a 5-LP series, Cheap Radio Thrills.
As any old American DJ will confirm, for many years radio stations were required to broadcast periodic tests of the Emergency Broadcast System. Here’s what the listener would hear:
For the next 60 seconds, this station will conduct a test of the Emergency Broadcast System. The following is only a test.
That would be followed by this test tone:
This is a test of the Emergency Broadcast System. The broadcasters of your area in voluntary cooperation with the FCC and federal, state, and local authorities have developed this system to keep you informed in the event of an emergency. If this had been an actual emergency, the Attention Signal you just heard would have been followed by official information, news, or instructions. This station serves the [ ] area. This concludes this test of the Emergency Broadcast System.
Invariably the jock would read that copy in a monotone, there’d be silence, then the test tone, then the jock would return to read the close with the same disinterested inflection.
Terry decided to change all that — with these two cuts from Cheap Radio Thrills. Here’s the introduction:
After the intro, the test tone would be broadcast. Then this cut would be played, complete with a donut for the announcer to read the boilerplate copy that begins, “The broadcasters of your area…”
Question: As a listener, which test would you be more likely to pay attention to? The one delivered in the bored monotone, or the musical version?
So in its infinite wisdom, the FCC decreed that the Emergency Broadcast System test could not be sung.
Bored monotone that no one listens to = Good.
Entertaining version that many people listen to = Bad.
Happy birthday, Terry.