{"id":248,"date":"2009-01-21T01:05:00","date_gmt":"2009-01-21T08:05:00","guid":{"rendered":"http:\/\/danoday.com\/blogWORDPRESS\/2009\/01\/21\/where-should-our-station-promos-appear\/"},"modified":"2009-01-21T01:05:00","modified_gmt":"2009-01-21T08:05:00","slug":"where-should-our-station-promos-appear","status":"publish","type":"post","link":"https:\/\/danoday.com\/blog\/2009\/01\/where-should-our-station-promos-appear\/","title":{"rendered":"WHERE SHOULD OUR STATION PROMOS APPEAR?"},"content":{"rendered":"<p><\/p>\n<p><span style=\"font-weight: bold;\">A reader asks:<\/span><\/p>\n<\/p>\n<blockquote><p>What do you think of running station promos first every time in each commercial break before any commercials?<\/p><\/blockquote>\n<p><span style=\"font-weight: bold;\"><span style=\"color: rgb(255, 0, 0);\">Warning:<\/span> <\/span>My response will upset many program directors and consultants.<\/p>\n<p>Current conventional wisdom holds that it&#8217;s a good idea, because it accords your station promo the coveted <span style=\"font-weight: bold;\">First Position<\/span> in the stopset.<\/p>\n<p>The two spots most likely to be remembered are the first and the last in the break. In Learning Theory, these are known as the <span style=\"font-weight: bold;\">Primacy<\/span> and <span style=\"font-weight: bold;\">Recency<\/span> effects.<\/p>\n<p>The first one has the advantage of being heard before the listener potentially is turned off by a bunch of commercials. The last (the most recent) has the advantage of not being followed by any other commercial message to compete with it for the listener&#8217;s attention.<\/p>\n<p>Personally, I think running the station promo <span style=\"font-weight: bold;\">first<\/span> does a disservice both to the station and to the station&#8217;s advertisers.<\/p>\n<p><span style=\"font-weight: bold;\">1. <\/span> Reserving the single best commercial position for the radio station sends a sad message to the advertisers:  &#8220;We&#8217;re more concerned with <span style=\"font-weight: bold;\">our<\/span> results than <span style=\"font-weight: bold;\">yours<\/span>.&#8221;<\/p>\n<p>How many magazines reserve the back cover or inside front cover for their own in-house ads? No, those prime spaces go to paid advertisers.<\/p>\n<p>The smart radio station charges a premium (15% to 30%) to guarantee first or last placement in a commercial break. Just as magazines charge premiums for their most valuable ad pages.<\/p>\n<p><span style=\"font-weight: bold;\">2.  <\/span>You condition your listeners to expect a bunch of commercials whenever they hear a station promo. Your promo becomes their cue to mentally or physically tune out. <\/p>\n<p>To make matters worse, most station promos properly end with the station&#8217;s name. So the Conditioned Response is for listeners to associate your station&#8217;s name with commercials.<\/p>\n<p>Traditional Top 40 radio programming (my own training ground) stressed the importance of immediately following your call letters with music. This long has proved to be a very smart, effective strategy. Regardless of your format, it makes the most sense to juxtapose your call letters with the primary entertainment or information product for which listeners tune in.<\/p>\n<p>Third, a good station promo is entertaining and involving. But if you follow today&#8217;s &#8220;conventional wisdom,&#8221; you force your listeners instead to think of your promos as &#8220;just&#8221; commercials. Honestly, how would you rate the average commercial on your station? Worth tuning in for? Or just clutter?<\/p>\n<p>Rather than compete with your advertisers <span style=\"font-weight: bold;\">and<\/span> reduce the image of your own promos, I recommend not including your promo <span style=\"font-weight: bold;\">anywhere<\/span> in your stopset. Instead, run it solo elsewhere in the hour. You&#8217;ll shorten your commercial breaks, allow your sales department to charge a premium for First Position, and greatly increase the probable impact of your promos.<\/p>\n<p>(I&#8217;m reminded of some programming genius who was quoted in a trade publication several years ago as saying that to make his station&#8217;s long commercial clusters seem shorter, he <span style=\"font-style: italic;\">&#8220;breaks them up by including a couple of station promos.&#8221; <\/span>Uh-huh.)<\/p>\n<p>Finally, an anecdotal report:<\/p>\n<p>Here in Los Angeles, years ago, I often listened to very good morning show. The station that broadcast this show:<\/p>\n<p>1.  Was the worst-produced major market station I&#8217;ve ever heard.<\/p>\n<p>2.  Began each (very long) stopset with a station-produced promo.<\/p>\n<p>As soon as a stopset began, I&#8217;d automatically turn off the radio <span style=\"font-weight: bold;\">not<\/span> because I wanted to avoid the commercials (commercial creation is one of my specialties, and I would listen to all-commercial radio if I could) but because I couldn&#8217;t stand to sit through 30 or 60 seconds of mindless, artless, inane, station-produced drivel.<\/p>\n<p>In this case, the fact that every commercial break began with an embarrassingly bad station promo conditioned me to tune out the entire stopset. So I never heard any of the paid commercials on that station. <\/p>\n<p>Do you suppose the advertisers would have been pleased to learn that the station inadvertently yet actively encouraged people NOT to listen to their commercials?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A reader asks: What do you think of running station promos first every time in each commercial break before any commercials? Warning: My response will upset many program directors and consultants. Current conventional wisdom holds that it&#8217;s a good idea, because it accords your station promo the coveted First Position in the stopset. The two [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[102,101],"tags":[],"class_list":{"0":"post-248","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-radio-promos","7":"category-radio-station-imaging"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>WHERE SHOULD OUR STATION PROMOS APPEAR? - DAN O\u2019DAY TALKS ABOUT RADIO<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/danoday.com\/blog\/2009\/01\/where-should-our-station-promos-appear\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"WHERE SHOULD OUR STATION PROMOS APPEAR? - DAN O\u2019DAY TALKS ABOUT RADIO\" \/>\n<meta property=\"og:description\" content=\"A reader asks: What do you think of running station promos first every time in each commercial break before any commercials? 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