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First, the radio commercial….

That’s a mediocre direct response commercial that probably gets some results…but not as much as it could.

The single biggest problem: Sloppy direction results in the audience’s inability to understand the name of the product being advertised.

Can you understand what the woman says at :10 of the spot?

I’ve listened to it repeatedly. I still can’t be sure, but I think she says, “And I called to try a sample…” (What I actually hear is, “And I called the tri-sample” — but because that doesn’t make sense, my brain has worked overtime to guess at what was lost in translation.)

The product name is not well-known. But both voices treat it as though we’re all familiar with the name: Lumiday.

A better director would have the voice actors stress and slightly elongate the first syllable: LOO-mi-day. And pause for a quarter-second after each presentation of the product name, so that the name stands out without destroying the attempt at a conversational tone.

* The woman who opens the spot: Do you believe her? Do you believe she’s sharing her personal story?

No, you can tell it’s a voice actor, reading copy. The copy isn’t bad, but she doesn’t really know what she’s saying. (Or, as I’m always quick to point out, perhaps she’s perfectly following the direction of someone who doesn’t know how to serve the copy.)

Especially her delivery of what is supposed to be the turning point of her story: When she “said, enough is enough.” She says that phrase very casually, lightly – communicating to the listener that reaching that decision was no big deal:

“Y’know what? I decided that being unhappy and irritable and worried all the time was just stupid. So I ordered a pill to fix it.”

But that line is supposed mean, “Finally I decided to stop accepting my mood swings and constant worrying as something that I just have to suffer with. There must be something I can do to take back control over my own life. I heard about this stuff called Lumiday, and I decided to give it a try…”

* The second (“announcer”) voice does a better job of communicating, perhaps because she’s playing the role of “Announcer” rather than as “Real Person.”

But she, too, delivers the product name as though the target audience already was familiar with it.

Bonus Lesson

This is not part of the critique, but in case you missed it, here’s a copywriting insight:

Do you think this commercial claims that the product has been clinically proven to promote a more positive mood?

Nope. It’s the individual ingredients that have been clinically proven to promote a more positive mood. (A nice little copywriting sleight-of-hand there.)

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MY CONFESSION re: HOW I CREATED MY iPHONE APP

One of my two “apps mentors,” Chad, truly has created a formula for building a successful  “smart phone apps” business. Follow the formula, and you’ll succeed:

How To Convert Downloads To Money

In case you don’t know the story: I never dreamed of  creating my own iPhone app. Being non-technical, the idea  never even occurred to me.

Then a friend of a friend asked if I’d help promote his apps- making course. I told him I never recommend anything  without examining the product firsthand, so he gave me full  access to his course.

Soon I realized, “Wow, I really could publish an app.”

Almost immediately I had an idea for an app that simply  didn’t exist elsewhere.

Although I knew that was not a good  sign (it’s much smarter to choose an existing market), it  seemed like such an obvious (and handy) idea that I decided  to give it a try.

Following the instructions in that original apps course, I  began in December, 2011. I released my PhotoVoice app in  February, 2012…despite approximately 3 weeks “down  time” for the holidays, New Year’s, and a week-long seminar  trip to Japan.

Since then:

 – PhotoVoice has been downloaded in 72 countries.

– Apple says as of April 30, 2013, it’s been downloaded  15,349 times. (Apple hasn’t yet updated my “stats” from  May.)

– PhotoVoice has been featured in the “What’s Hot” listings  in the iTunes stores in the United Kingdom, Australia, New  Zealand, France, Canada, the United States, Brazil, Croatia,  Iceland, Kenya, Mali, Mauritius, Nigeria, Pakistan, and the  former Yugoslav Republic of Macedonia (that’s how it’s listed  in the App Store).

– I’ve been approached by a European app maker to do a  joint venture, and a company in Texas contacted me to see  if they could pay me to create an app for them.

Let me repeat that: I’ve made one app, and a U.S.  company wanted to hire me to make one for them.

– Something I never anticipated: You wouldn’t believe how  impressed people are when they learn I created my own  iPhone app. They look at me in awe— probably because to  most people it sounds like such an impossibly complicated  thing to do.

My Confession

When I created PhotoVoice, I didn’t know HALF of what  Chad teaches in his new apps-making program. (I knew maybe 10%.)

I gave very little thought to “monetizing” my app. I just   impulsively jumped into it.

Y’see, I keep jumping around from project to project. (The  way I work always reminds me of those plate-spinning  people we used to see on TV variety shows.)

Imagine how much more successful PhotoVoice would be if  I’d followed a real plan…a formula for success.

Maybe you’re like me, and having just one successful app  would be rewarding enough for you.

But if you’d like to have your own app business —  something that generates ever-increasing income and frees  you from the tyranny of employers’ whims — follow Chad’s  apps business formula.

It really does work.  

The moral of this story? If I can do it, you can do it.

P.S. That course I originally was asked to evaluate? It’s no  longer available. But it turns out the guy who created that  course and built his own hugely successful apps business…

…was mentored by Chad.

P.P.S.  If you decide to join us in this exciting “new frontier”  adventure, be sure to sign up via this link...and let me  know as soon as you do, so I can invite you to join my  private Apps Mastermind Group.

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John Records Landecker — one of the all-time great radio disc jockeys and also a darned good guy — explains what it really takes to have a career as a radio personality….

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KONICA MINOLTA DIGITAL CAMERAIf the commercial copywriter can ask only one question of the account executive before starting work on a new radio advertising campaign, here is the question that should be asked:

“Tell me what I need to know to be able to sell this product or service to our client’s customers.”

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RADIO SHOW PREP: HOW TO PREPARE IN REVERSE

What if a radio show prep service were to present you with an outrageous offer:

“A collection of 2,500 pieces of material…all of them guaranteed to fit your personality and to work for you on the air. If even a single one of those 2,500 bits doesn’t work for you, you don’t have to pay a penny.”

If such a guarantee were possible, would you be interested?

Might you even pay for such a service?

Here’s a technique I call Preparing in Reverse — and it seems so obvious that you might want to kick yourself for not having done this all along.  

If you’re a clever, articulate person, during the course of a typical show you will ad-lib a number of remarks that are at least mildly amusing: an off-the-cuff comment about the weather, a humorous intro to a record, or even just an offbeat way to give the time or temperature.

As soon as you deliver it on-air, write it down.

Use it again in six months or a year.

If on average you come up with only two such remarks per day and if you had begun writing them down (after the fact) one year ago, by now you would have 500 custom written, personally tested pieces of material that you know will work for you.

If you had been doing this for the past five years, you would have at your fingertips a collection of 2,500 such pieces of custom written material.

If you haven’t been doing that already, start today.

And be sure to thank yourself five years from now.

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