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RADIO PROMOTION PLAYS WITH STEREOTYPES

Here’s where most radio promotions come from.

PROGRAM DIRECTOR: Anybody got a good idea?

STAFF MEMBER: Why don’t we do that thing we did last year?

STAFF MEMBER #2: What about that thing (Another Station) did in (Another Market)?

PROGRAM DIRECTOR: What about you, (Promotion Director)?

PROMOTION DIRECTOR: Do I still have no budget?

PROGRAM DIRECTOR: (sigh)

PROMOTION DIRECTOR: What about that thing we did last year?

But if you keep your eyes and ears open, you needn’t run out of fresh, original, fun, audience-engaging promotional ideas.

I’m sure I could introduce this as pithily as Jonathan Corbett, but that would take me far longer to write than simply quoting him:

“Recently, the folks at Buzzfeed asked the blokes in their British offices to put down their tea, turn down the Beatles and stop obsessing about the Royal Family for long enough to fill in a map of the United States based purely on stereotypes.

“They obliged, which isn’t surprising, considering that the assignment sounds a whole lot more interesting than writing another article about a potential Spice Girls reunion or how they’ll manage to not win the World Cup this time around.”

Warning: If you’re likely to be offended by crude language or someone making fun of your religion, political beliefs and/or beloved geographical affiliation, please don’t look at this map.

Seriously. We don’t need another religious-political-geographical war here. The important thing, for the purposes of Us Creative Radio Folk, is that we can springboard from this silly map to a fun, free promotion that you can fit perfectly to your audience and market.

radio contest ideas
So, there’s the inspiration.Probably you were amused or you were offended. Maybe both.

All of these can be done on your Facebook page. Or on your blog. Or anywhere else you choose.

You can have people vote on their favorite submissions.

You can have a Distinguished Panel of Judges decide which entries make it to the Radio X unOfficial Map of (          ).

You’ll also end up with something highly visual, which your local TV newscast may shock you by talking about on-air, assuming you create a map that:

* Is visually striking

* Either has no bad language or that has the naughty words covered up.

At this point, one reader wants to say, “The TV station in our market never mentions us.” True, but that’s because until now you’ve never given them something that they felt could add to their program’s entertainment…uh, “news” value.

Linear Examples of How Your Radio Station Can Adapt This

Have your American audience make a “stereotype” map of Canada.

Have your Canadian audience make a “stereotype” map of the U.S.

Have your non-European audience make a “stereotype” map of Europe.

Have your European audience make a “stereotype” map of Europe.

More Creative Examples of How Your Radio Station Can Adapt This

Have your audience (wherever they are) make a map of the U.S. based solely on what they see on television. To tell them to disregard everything they might know from other sources; their only references can be TV shows.

Examples:

They might have images of Calabasas (or, more broadly, “the Valley” in Los Angeles) based on the antics of those wacky Kardashians or, perhaps, of the considerably more admirable Ray Donovan.

Impressions of Albuquerque (or, more broadly, New Mexico) might be drawn from Breaking Bad.

Their impression of New York City might be influenced by Sex in the City or, perhaps, by Law & Order.

How Your Snooty Public Radio Station Can Adapt This

That was a joke. I know your public radio station isn’t really snooty. Some of my best friends (not to mention clients) are public radio stations. I was teasing you. We’re still good?

Have your audience (wherever they are) make a map of the U.S. based solely on references from literary fiction.

How Your Sports/Talk Station Can Adapt This

Have your listeners make a map of the U.S., based on common stereotypes of the various local teams’ fans and/or players.

Have your listeners make a map of the U.S., based on the sports they play in each region, special rules, etc. (Example: New England’s the only I place I know where people engage in Duckpin Bowling.)

How Your Political Talk Station Can Adapt This

Have your listeners make a map of the U.S., based on common stereotypes of the political leanings and foibles of the various geographic areas.

“Special Interest” Radio Station?

There’s no limit to where you can take this.

Make a map based on the local denizens’ musical preferences.

Make a map based on what rock stars came from where.

Make a map that pinpoints Famous Sex Scandals.

Make a map highlighting stereotypes of the kinds of cars people there drive.

When I work with radio stations or morning shows, often I’ll teach them how to create what I call their Unique Listening Proposition. It’s not terribly difficult.

The radio consultant or programmer who puffed out his chest and declared, “There are no new ideas under the sun” really was saying, “I don’t know how to have a new idea.”

But you do.

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CRITIQUE OF A RADIO SALES VOICE MAIL MESSAGE

radio sales voice mail messagesRecently Robert Topping, a radio account manager for Anaheim Broadcasting, attended an online webinar presentation of my Guerrilla Tactics for Getting Your Voice Mail Messages Returned seminar.

In that abbreviated version of my complete audio seminar, I walk account execs through the key psychological components of a good “cold call” message, as well as the importance of scripting your phone message.

I do so knowing that most salespeople don’t script their calls…even though they should.

Afterward, Robert emailed me:

Thanks for your pearls of wisdom this morning. You are truly a “radio sales guru.”
 
I scratched out this script:
 
Hello ­­­­­­_________, this is Robert Topping with

Anaheim Broadcasting. I have a unique opportunity for

you to partner with a well-known third party on a

cross-promotion. However, this event is time specific

so a quick response would be appreciated. Please give

me a call back today at 555-255-5555 (pause)

555-255-5555. Robert Topping, Anaheim

Broadcasting. Thank you __________!
 
Does it pass muster?

Robert graciously gave me permission to share my response here…

Your message should be less generic (it’s deliberately vague, which in this case the recipient can spot), and it’s a mistake to identify your company.

I don’t have any idea what the “opportunity” is, so I’ll make something up….

Hi, (Name), this is Robert Topping at 555-255-5555.

Burger King has asked me to recommend someone to

partner with on a huge promotion, and I

recommended you guys. Can you give me a call back

today? That’s Robert Topping at 555-255-5555.

Thanks, (Name)!

Although I completely rewrote his script, I applaud Robert for doing what so few account execs do: take their job seriously enough to plan exactly what they’re going to say before they hear the “beep!” on the other end of the line.

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NoNeEverAskedThis12722-325The radio advertising copywriter behind this commercial for Pechanga Resort & Casino clearly doesn’t understand the purpose of the opening line of a broadcast spot.

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Yes-No-Dark-320Recently I attacked the just-won’t-die urban legend that has convinced legions of copywriters never to begin a radio commercial with a question.

Some readers partially agreed with me but warned against ever using questions that prompt either a “yes” or a “no” answer.

“After all,” they said, “what if the listener says no? You’ve got nowhere to go then.”

The opening line of your spot is the commercial for the commercial. It’s your one chance to get your targeted listeners to raise their hands and say, “Here I am!”

There are endless instances in which I might begin an ad that is looking for the people who say “no.”

“If you died tomorrow, are you certain that your family’s financial future would be secure, that they wouldn’t have to worry about money?”

If I’m advertising insurance, I’m looking for people who say, “No, I’m not certain of that.”

But what about people who don’t have families? Or people whose families already are financially secure?

I don’t care about them. They’re not the people I want to talk to.

“Are you happy that during (Politician)’s administration, property taxes have doubled, unemployed has increased 50%…and (Politician) has gotten a 75% raise in the salary we pay him?”

In that political campaign spot, I’m trying to get the attention of voters who will respond, “No, I’m not happy about that.”

Yes/no questions are no different than any other element of your radio commercial. Utilized with a clear purpose and skill, they can be an effective tool.

Used unthinkingly and clumsily, they can limit the ad campaign’s effectiveness.

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