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MEMO TO THE RADIO STATION PROMOTIONS DIRECTOR

The promotion director of a certain large market radio station sent a memo to the station’s morning host, asking:

“Do you want me to type up a winner sheet for every contest you guys do in the morning, or can we do a generic one? Let me know your thoughts…”

The morning host — a very well-known, very successful, very professional veteran personality — replied as follows:

I need a winner sheet for each separate contest for several reasons.

1) Because of the immediacy of radio, things change quickly and at the last minute. Often sales-oriented contests have last-minute changes. This means that I need an updated form with specifics of each contest the day we start it. NOT TWO WEEKS AHEAD of time.

Since I do not attend the promotion meetings (because the morning host is not invited), I am not privy to the intricacies of each contest. That’s why I would appreciate:

A) An e-mail detailing the contest the day before it starts.

B) A contest sheet as a backup in the Prize Book as we previously discussed (on more than one occasion).

2) I need to know the contest has been approved, signed off on, and otherwise tweaked by you and the program director. Just because I talk to a salesperson does not, repeat, NOT mean that we are doing a contest.

Often I chat with salespeople to give them ideas on what we feasibly could do to help a client, but it is always subject to approval from the Promotions and Program Directors. That’s why I need a separate winner sheet for each contest.

3) Although we have listeners who win more than one contest, most of our winners are not aware of when a CD, movie ticket, concert ticket, etc., will be available — and if it isn’t, when they can pick it up. We have many prizes, and each contest is different.

Also, as far as concert tickets are concerned, we have had a problem in the past with overzealous DJs giving out more tickets than we have or listeners claiming that we have awarded them a prize when, in fact, we haven’t. Therefore, numbered sheets with jocks’ names on them in the case of hard-to-get tickets would be optimal. This is known in most businesses as Inventory Control.

On the other hand, if we have a movie house full of tickets, then I believe you could supply one sheet for the movie and we can make copies to give to the front desk.

4) The necessary items on each winner’s sheet should include (but not be limited to):

– Winner’s information

– A description of the prize

– How many of the prizes we have to give away (assuming it’s a purely morning show prize)

– Whether we need to get an aircheck for the client and/or sales department

– Whether a specific tag is needed for the client

– In the case of tickets, the date of the event

– Any other specifics of the event; e.g., other groups on the concert bill, or for a sporting event, the opposing team

– Whether the tickets/passes include any special type of entertainment: backstage, food, drink, etc.

– Whether you must be a certain age to get into the event (e.g., if liquor is served, you must be of age)

– If transportation is included, and if so, what it will be (limo, train tickets, etc). Also, whether we need to mention the transportation provider.

Now, that said, it shouldn’t be too much for the air personality to ask that the above items be specified in one or two easy-to-read paragraphs so that we can:

(1) Do a solicit with the first one over the beginning of a record

(2) Do the second one in a backsell briefly with the winner

You will need to somehow highlight the information that should be given to the winner but that does not need to be given over the air.

If this reply is too specific, it’s probably because I don’t feel I should be wasting my time with something like winner’s sheets and contest specifics that should be common sense to a promotion director in a market of this size.

Let’s move ahead because we have at least one major promotion a month with the morning show alone that we have to get on track, as well as the various weekend contests and standard giveaways that stations like ours do as a matter of course.

Cordially,

(NAME WITHHELD)

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VOICEOVER CLASS: REGISTRATION CLOSES FRIDAY

We’ll be closing the registration for Harlan Hogan’s teleseminar class, STARTING YOUR VOICEOVER BUSINESS: Everything You Need To Know To Turn Your Dream Or Your Sideline Into A Business, this Friday at 5:00PM Pacific Time.

If you’ve been thinking about joining Harlan for this intensive, “we’re gonna make you take each necessary step” class, please sign up before we close the doors.

All the details are here.

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Apparently Citibank has weathered the financial crisis so well that it wants to avoid attracting any new customers. So they’ve created a radio commercial designed to do just that.

They open with a lethal one-two non-punch, with the first words of the spot being “At Citibank we’re offering” and delivered in the least appealing monotone the voice actor could muster.

Obviously, the professionals who created this know that no one in the radio audience cares what Citibank is offering. So they deliberately begin the spot with words guaranteed to prevent people from listening.

Then they rush into some numbers before anyone can possibly know what they’re talking about. Oh, and that “top of class annual percentage rate”? Priceless! As satirists, these guys are good.

And, in the tradition of all good satirists, they’re merciless. They give two Calls To Action instead of just one, with no good reason to act on either of them.

Then, the perfect finish: Six seconds of disclaimer gibberish — tacked onto a message that no one will ever hear.

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Using Spec Spots To Cold Call

This posting is for readers of my latest Radio Advertising Letter to share their thoughts about the use of spec spots to land new clients — without first having learned about the client’s needs.

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Bobby Ocean Radio Cartoons

Illustration © 2009 by Bobby Ocean

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