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COPYWRITERS: HOW TO OVERCOME WRITER’S BLOCK

Usually when we talk about writer’s block, we’re referring to the writer who just can’t get words onto a page. That would be someone working on a novel or a play or an extended essay for publication; they just can’t seem to get started or, more often, they’ve started but now they’re stuck.

That kind of writer’s block invariably is caused by one of two things: Lack of information…or Fear.

When I say “lack of information,” I mean the writer hasn’t worked out the story sufficiently or doesn’t really know the characters; the way you solve that problem is to stop trying to write and instead work on understanding the story or the characters better.

But most writer’s block — as the term usually is used by copywriters — is caused by fear. There is nothing more intimidating than a blank page.

So…Put something on it.

Here’s a trick I learned a long time ago, and it works whether I’m writing a commercial or a newsletter or a book: Don’t end your workday or your work session when you’ve finished an entire section. Start writing the next part, even if it’s just a couple of sentences.

So if you’re writing a book, don’t stop when you’ve finished a chapter. Begin the next chapter, and tomorrow when you sit down to write you won’t have to ask “What do I do now?” because you’ll be joining a work in progress.

You see, for most writers the hardest part isn’t writing; it’s starting. And when you sit down at the keyboard to find that someone already has started writing the commercial for you, it’s like you’ve given yourself a gift.

But for people who work for a radio station and write lots of commercials, often it’s not really “writer’s block;” it’s lack of time. It’s “Here’s the copy order, goes on the air tomorrow, and our production guy is leaving early today for a doctor’s appointment.”

If you’re writing commercial copy and you feel stuck and you’ve got at least a few extra minutes, here’s an easy technique that will help you get started.

Call the client and ask, “How did you get started in this business?” — and then let him talk. Most business owners have a story; let your clients tell theirs.

Here are two more questions you can add. Let’s say he owns a bookstore. Ask him:

“What’s the one thing you love most about running a bookstore?”

“What’s the biggest misconception people have about bookstores?”

Nine times out of ten, if you listen, the client will GIVE you a great story to use in your commercial. I don’t mean putting that story directly into the copy; it might just be the feeling the story expresses.

A while ago I wrote commercial copy for a number of different restaurants, and again & again the restaurateurs would tell me the most satisfying aspect of owning a restaurant is seeing how happy their guests are while at their restaurant. I never would have guessed that; I probably would have guessed “being my own boss” or “hearing people rave about our food.”

I also learned that is how they refer to their patrons: “Guests.” Not customers. Not diners. “Guests.”

And all of that helped me understand the experience I was going to try to convey in 30 or 60 seconds.

More techniques for overcoming writer’s block in future blog posts.

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Seven Steps to Better Radio Station Imaging

Dave Foxx

1. DELETE every third word of your copy. If you can remove 1/3 of your words, your copy is too verbose.

2. PRODUCE the music track separately from the voiceover.

3. USE effects only to accentuate the music.

4. SHORTEN the distance between the idea and the expression of the idea. Rather than having one person write the copy, another voice the copy, and a third person produce it, cut at least one of those people out of the process. If you can write, voice and produce the promo, you’re in the best possible position. If you can write the copy, coach the voiceover, and then produce the spot, that’s almost as good.

5. FILL the creative well. When you’re not on the job, you’re still on the job. Regardless of what you are doing in your off-hours, always observe human nature. Those observations are the well from which you’ll draw your creativity when producing promos.

6. GIVE yourself enough time to finish a project without interruption. For the first 4 hours of your workday, hang on your door a sign that says “Radioactive: Do Not Enter.” Let everyone know that you mean it. Other people can bring you their problems and requests during the second four hours of your workday.

7. KNOW when you’re finished. When you’ve achieved your goals and it sounds really good, STOP. You’re done.

Dave Foxx will conduct a live teleseminar, fielding questions from radio station imaging people around the world. Here’s all the info.

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THE CHICKENFISH SYNDROME STRIKES AGAIN

David Srebnik is a public radio guy who’s seen me speak at various public radio conferences. If you’ve ever heard my “chickenfish” story, his will make sense.

If you haven’t….Well….

“Got into a little bit of trouble at the NATS game last night.

“I insisted on buying some Watercoke from the vendor who kept passing by our seats. Like many of us, I’m trying to eat healthy, and it sounded like Watercoke might be healthier than regular Coke.

“He refused to sell me the Watercoke…called Security, and I was taken to some security detention area at the stadium.”

“Things got worse when I asked for the Chickenfish.”

Over the years, a lot of people have mentioned the “Chickenfish” story to me.

If you ever heard me tell it, did it make an impact on you? Have you ever shared it with others?

(And if you did, how did they react? Probably just scratched their heads and looked puzzled….)

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This is the fourth in a series of critiques of award-winning radio commercials — those honored as “the best of the best” by the 2007 Radio Mercury Awards.

I don’t like this radio commercial. It’s hackneyed, corny, false, fake.

But…

By the end of the spot I did get the message that when you fly Jet Blue, you get to watch Direct TV on the seatback on in front of you.

In other words: Good commercial.

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CONTEXTUAL PROGRAMMING: Subscribers’ Comments

The current issue of my Radio Programming Letter delves into what I call “Contextual Programming” — the only way to win in today’s competitive media environment.

This post is for my subscribers to use to add their own comments, thoughts, objections, examples, etc.

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