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GOOGLE GOES GAGA OVER RADIO ADVERTISING. OR NOT.

If all goes well — which would shock me, because all never goes well for me when it involves a new Internet project — on Monday I will launch my Radio Advertising Advantage.

What is it? That’s not the point.

But someone commented that his company already provides lots of “radio creative” information “for free,” and perhaps it’s not realistic for me to expect radio stations to pay me for stuff they can get elsewhere…for free.

I’ve never seen any of that company’s internal resource sharing program. Maybe it’s great stuff. But I do know that the in-house commercials I hear on that company’s radio stations are…uh…

Well, let’s say they’re just as good as the typical in-house radio commercial one hears all across the U.S.

Which brings me to Google.
radio advertising graphicRemember Google Audio Ads?

If not, don’t feel bad. It was a project at which mighty Google failed mightily.

Basically, advertisers were able to bid on remnant commercial time at stations across the U.S. (Yes, they claimed it wasn’t all “remnant.” Maybe those stations were including sold-out drive time inventory at bargain rates….)

To further help the advertisers, Google offered to match them up with people who would write and produce radio commercials for….oh, say, five or ten bucks. Okay, maybe $25.

This is not the story of why Google failed at radio advertising.

It’s the story of why I’m glad they failed.

Before the plug was pulled on the program, some nice Googlers contacted me. They were interested in developing a “Best Practices” standard for writing & producing radio advertising, to educate the people who were buying those cheap commercials.

Would I help?

Sure I would.

Great, they said. Would I have time to talk to the entire marketing department for Google Audio Ads?

Sure I would.

That department consisted of two women. One once had worked as a radio station account executive. The other had, on occasion, listened to radio.

I spoke with the half of the department that never had worked in radio. She seemed lovely. She believed it was important to offer knowledgeable guidance to their advertising customers.

“We really don’t have a budget for creating a ‘Best Practices’ document,” she said.

“Well,” I said, “that could be a problem.” I’ve been known to donate my time and expertise to worthy causes, but to a company with yearly revenues of $20 billion? Unlikely.

A couple of months passed before we spoke again. “I just wanted to touch base with you,” she said. “We” — she and the former radio station account exec — “created the ‘Best Practices’ ourselves.”

“Really?” I said. “How did you do that?”

“We searched online for articles about how to write radio commercials, and we kind of compiled the best suggestions from all of them.”

Wow.

So a hugely successful company — one of the biggest in the world — places the same value on learning how to create successful radio advertising as do some hugely unsuccessful radio conglomerates:

They’re very interested…

If it’s free.

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NEW RADIO ADVERTISING PROJECT: CAN I GET YOUR FEEDBACK?

If you’re a radio advertising professional, I’d really appreciate it if you’d watch this brief (4:58) video and then share your input with me here on the blog.

And no, it’s not a sales pitch.

Thanks,
Dan

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Time for another look at award winning radio commercials — spotlighting the good and the bad from the  2007 Radio Mercury Awards.

Radio advertising for American cable TV companies consistency matches their standard level of customer service: terrible.

radio advertising graphicWith this Mercury Award finalist, Comcast upholds that tradition.

The story is about the announcer trying to talk while the horns repeatedly interrupt with a fanfare. That’s the only thing the listener pictures: the announcer being interrupted by the horns.

It has nothing at all to do with what’s being sold. They could have used that exact same set-up to try to sell (or, more accurately, fail to sell) anything.

Also, the very first time he was interrupted by the horns, were you surprised that he kept being interrupted? Odds are you knew exactly what the big “joke” was going to be. The joke wasn’t even funny because it was so obvious and trite, and they told a story that had nothing at all to do with what they were selling.

What a brilliant strategy: devoting all that commercial time to stuff they weren’t selling.

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HOW TO DESTROY A RADIO DJ’S SELF ESTEEM

radio broadcasting graphic

Illustration © 2009 by Bobby Ocean

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IF YOU’VE EVER WANTED TO WRITE TV SITCOMS…

tv sitcom writing graphicEach year Ken Levine and I produce a unique event called The Sitcom Room.

For two days, 20 lucky people come to Hollywood to experience what it’s really like to be a TV sitcom writer.

In this recording of a live webcast we did a few days ago, we pull back the curtain to give you the inside story with an insider’s perspective on what it’s like to be…inside.

Also, we deftly dodge repeated attacks on us for charging such an outrageously high tuition.

By incredible coincidence, registration for Sitcom Room 2009 opens Monday at 9:00AM Pacific (Noon Eastern).

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