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radio programming graphicDuring Mike McVay’s Radio Programming Secrets teleseminar, someone asked:

Many stations use loyalty programs through their websites to engage listeners. How effective is this as it relates to ratings, and how much on-air time should be devoted to promoting it?

McVay: I have worked with loyalty programs in a number of markets, and I like them very much. The problem is that some radio stations get so hung up overpromoting them that it becomes white noise.

In Atlanta, the radio station we worked with for a long time had its own loyalty program. The syndicator who sold it to them sold it to them with:

“You’ve got to promote this two times an hour, every hour. And all the contests you do and everything you do on the air should run through the station’s website.”

Well, at some point, if it becomes fully about promoting the website, you are alienating a part of your audience.

Now, let me interrupt myself. I have zero problem with promoting a website, and I think you should use your radio station to promote your website.

But if there’s never a “call in to win,” if there’s never a connection between “I’m listening to the radio” and “I call the radio station,” then you’ve lost that connectivity that’s always been a direct stream with the listener.

So my suggestion would be to use the loyalty program to reward listeners for listening longer, but don’t make it so overwhelming on the air that it clutters the programming and decreases time spent listening.

Don’t make it so intrusive that it irritates the listener. Don’t make it so frequent that it becomes white noise and it loses its effectiveness.

O’Day: It shouldn’t be competing with the station’s on-air programming. It should simply be another interesting thing that is being shared with the audience.

McVay: Yeah. This is the frequent flyer program. I use my frequent flyer number when I book my plane ticket.

I get to the airport, and I use my frequent flyer number to get my seat assignment out of the computer. When I get on the airline, they announce that frequent flyers will earn 1,000 miles today. And they tell people how their frequent flyers sign up. When I fly enough, I can get free tickets or I can use that mileage for hotel stays or other prizes.

I don’t have someone tell me two times an hour during my 5-hour flight to L.A. how many miles I’m getting for flying to L.A. that day.

O’Day: If you’re taking a nap, they don’t awaken you to ask if you’ve joined their frequent flyer program.

Mike: Exactly.

O’Day: Actually, you know what? A more apt analogy might be: You’re watching the in-flight movie, and they interrupt it to talk about their frequent flyer program.

That might be the analogy for radio, where it actually is getting in the way of the flow of your programming and it annoys people rather than augmenting what you’re doing.

McVay: Right. Absolutely. That’s a great analogy.

Excepted from Radio Programming Secrets.

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HOW TO DIRECT VOICE ACTORS

voice overs graphicChristine Coyle, Creative Director of The Famous Radio Ranch, shows how to get better performances from voiceover performers — whether highly experienced (as are Natalie Stanfield Thomas and Bob Souer) or “whoever is available to help voice this spot.”

Coyle was a featured guest speaker at this year’s International Radio Creative & Voiceover Summit.

We’ve just released a limited edition of the Summit 2009 Complete Audio Record. Lots of great tips from Christine Coyle, Dave Foxx, Nancy Wolfson…and some guy named O’Day.

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VOICE ACTORS: CAN YOU DO BETTER THAN THIS GUY?

Time for another look at award winning radio commercials — spotlighting the good and the bad from the  2007 Radio Mercury Awards.

This one was a finalist in the “Radio Station Produced” category.

What immediately attracted my attention was how “off” the voice talent’s performance is. His delivery is totally disconnected from the experiences his character is relating.

The performance is so wrong that I have no idea if this spot actually could be good.

So…Let’s see what you can do with it.

Here’s The Contest

1. Transcribe the copy from the spot.

2. Produce your own version — without changing a word.

3. Upload your spot using this link.

4. It must be an mp3 file.

5. You must fully identify yourself.

6. The spot must run between 59.5 and 60.5 seconds.

7. By “mp3 recording,” I mean “mp3 recording.” I do not mean .wav file, mp4, or anything other goshdarn format.

The Prize

If you win, you will receive your choice of any one of my mp3 seminars or e-books, as well as worldwide recognition, invaluable bragging rights, and the satisfaction of knowing that you are better than everyone else.

Judging

I will be the sole judge, unless I have other people help me. The decision of the judge(s) is subjective, arbitrary and final. In the event that no one submits a spot the judge(s) deem good enough, nobody wins anything and I’ll donate the mp3 seminar or e-book of my choice to Habitat for Humanity.

Anyone who emails a commercial to me rather than uploading it via this link will be disqualified, publicly disgraced and banned from Major League Baseball. I mean it. Use the upload link. Seriously.

Ladies and gentlemen, start your microphones. And may the best (or most insanely competitive) voice actor win.

The Winner Will Be Announced On This Blog, One Week From Today.

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radio personality graphic

Illustration © 2009 by Bobby Ocean

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radio

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