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MONDAY COMMERCIAL SMACKDOWN: TurboTax

First, the radio commercial.

Question: As you listened to that commercial, what pictures did you see in your mind’s eye?

The GPS device?

A woman behind the driver’s wheel of a car?

Probably.

How about you or someone else using TurboxTax software to complete your income tax return?

Probably not.

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Here comes the clue train.

Here Comes The Clue Train: The picture you paint in the listener’s mind is the picture they will remember. If the picture they remember has nothing to do with the results promised by your product or service, you have just thrown away your advertising dollars.

Also, most people don’t enjoy being lied to.

That woman was behind the wheel of a car, confessing that she’s “not good with directions”? There’s a GPS device in the car, and it’s helping her get to her destination?

A believable scenario. (Not necessarily a believable staging or performance, but a believable scenario.)

So we join this woman on her driving adventure…only to discover this story isn’t about driving at all. It’s a sales pitch for something called “TurboTax.”

And when we realize we’ve been lied to, we stop listening. Yeah, it’s something called Turbotax, but we lose interest before we can learn exactly what it is and how it can help us.

Finally, the inane Call To Action: “See for yourself at…”

Right. Uh-huh. We listeners have a burning urge to see for ourselves whatever it is they’re trying to sell us.

On a scale of 1 to 100, this campaign scores:

Lame.

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RADIO ENGINEER’S HELPFUL FEEDBACK

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Illustration © 2010 by Bobby Ocean

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ART VUOLO’S SHOCKING RADIO CONFESSION

Radio’s best friend, Art Vuolo, finally comes clean…

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October 1995 (continued): After the R.B.A. conference, I flew back to Auckland (New Zealand), where the next day I conducted my Air Personality Plus+ seminar for the Primedia group, thanks to Operations Manager Guy Needham.

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We met at the Albany Lodge outside the city, in “the bush” — and now I know why they call it that. We are talking about very thick, very dense foliage. A very imposing force of nature.

It would have been nice, on my first trip to this continent, to have taken at least one full day to explore. But I had to be back in Los Angeles the following day, so immediately after the seminar I was driven to the airport to return to L.A..

Surprise! The Kiwis charged me $20 to leave their country. Didn’t seem very sporting to have travelers discover this when they check in for their flights.

The following Saturday was an exhausting one, as I flew to Atlanta, conducted a seminar, and returned to L.A. that same day. I had been invited to present How To Create Maximum Impact Radio Advertising for a radio conference.

Trying to make the most productive use of my flying time, I brought my computer with me. (This was back in the days when bringing a computer on an airplane was unusual.)

My seat on the Delta Airlines 767 was 1C. After breakfast had been served, they began the in-flight motion picture. I stood up to remove my computer from the overhead compartment…only to discover that when the cabin’s movie screen was lowered, the overhead bins above seats 1C and 1D could not be opened!

(Wouldn’t it be nice if, occasionally, the people who design airplane interiors actually flew on them?)

I was scheduled to speak for two hours, and my return flight did not allow for much elasticity in my timetable I was to speak and then immediately head back to the airport.

When I arrived at the conference hotel, there were two sessions before mine. One was in progress, and it was running quite late. I was told it had started late, and the scheduled speaker — Accu-Ratings’ Kurt Hansen — had been asked to give his full presentation and, therefore, end later.

While this session continued, I stayed in the lobby and fretted about being able to do the full two hours that had been scheduled and still catch my plane…and, by the way, to end in time to allow attendees to attend the evening event that was scheduled immediately after.

Also in the lobby was the news director of a local radio station, who was scheduled to speak immediately before me. He cluck-clucked about the current speaker’s apparent overtime performance. (Again, I later learned that poor Kurt Hansen was not to blame.)

I mentioned that I was worried about having to shorten my presentation and he replied, “Oh, I’ll probably run short.”

Well, he certainly didn’t need to shorten his 45-minute presentation for me, but it was comforting to know he understood the time crunch.

Unfortunately, he had scripted his presentation, which he read to the audience. And apparently he had not timed his copy.

So he went 20 minutes over his allotted time…until he finished reading his presentation to the audience.

Sometimes a speaker is asked to stay longer “due to popular demand.” Audience reaction indicated that was not the case this time.

On the one hand, I had to drastically cut short my presentation to allow the attendees and me to meet our respective obligations.

On the other hand, it gave us all a lot of fodder for jokes at the guy’s expense. Apparently at his radio station, a newscast that runs 50% past its allotted time poses no problem for the station’s programming…

No, he didn’t hear those jokes. He had a baseball game to attend …while the rest of us “played catch-up” in his wake.

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PRINT AD FOR IRISH RADIO STATION: Winner or Loser?

This is a copy of a print ad for Ireland’s iRadio 102-104FM.

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"When you play great music back to back someone's going to get hurt."

Some people have found it offensive. Others thought it was confusing. And still others liked it.

For an ad targeting new or existing listeners to a radio station, there are only two questions that matter:

1. Will the campaign attract more listeners?

2. Will the campaign strengthen the bond between the radio station and its existing listener base?

Lack of clarity is the death of any advertising campaign.

When I first saw this ad, the juxtaposition of “Culture Club” and “The Village People” with those bloody images instantly communicated to me that iRadio hates that kind of music and that the bodies represent members of those two musical groups.

Then, upon reflection, I concluded the ad was trying to communicate the opposite — that that’s the kind of music iRadio plays.

Then I looked at the ad a third time, noticed the headdress alongside an apparently headless body, and realized my original reaction probably was correct:

The message of this ad is, “This radio station doesn’t play that kind of music.”

If the goal of the campaign is to strengthen the bond between the radio station and its existing listener base, it might well succeed. If the station has valid research informing them that their core audience — their “P1s” — abhor Culture Club and The Village People, the image that shocks — and no doubt offends — others might indeed appeal to the targeted radio listener.

But if it’s to attract new listeners, here’s a clue to the strategists behind this campaign: You don’t attract listeners to a radio station by telling the world what you don’t play.

iRadio doesn’t play Culture Club or The Village People? Neither does any country music station, classical music station, New Rock station, Christian music station, jazz station, Schlager music station, polka station — Well, the list of stations that do play those two musical groups is far shorter than the list of the ones that don’t.

An ad that tells people what kind of music a radio station doesn’t play is like a restaurant with a huge sign on its roof that declares, “We don’t serve any of these foods. Come on in!” People don’t patronize a restaurant based upon what it doesn’t serve. What attracts diners is the food the restaurant does serve.

This particular ad lacks both clarity and a viable strategy.

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