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Radio Commercials with Fake Sincerity

Before we launch into this radio commercial critique, let’s listen to the spot.


While they attempt to combine a sympathetic voice with a gentle music track, none of it works.

That’s the delivery of a voice actor “trying to sound sincere.” It’s not the way real people talk.

As always, there’s a good chance the voice actor was giving the producers exactly what they asked for. So I’m not necessarily criticizing the VO person’s performance.

But obviously they’re trying to sound soothing to listeners who might be in a time of crisis.

What words do they choose to accompany the sympathetic voice and gentle music?

“A cancer diagnosis raises worry and questions.”

Huh? They’re attempting to effect a personal, one-to-one sound, but they choose words that aren’t about a person.

That’s easy to fix:

“When you’re diagnosed as having cancer….”

In their opening line, they define a problem: “Worry and questions.”

The rest of the commercial ignores the “questions” a patient might have. Why do they begin the spot by identifying a problem they don’t offer to solve?

After 10 seconds of vainly attempting to sound concerned and reassuring, the ad reveals its true colors: It’s not about the listener. It’s all about City of Hope.

“Hello, I’m using this sympathetic-sounding voice to brag about how wonderful City of Hope is.”

1. It’s “a treatment facility like no other.”

What does that mean? How is that treatment facility different from all other treatment facilities?

2. In your entire life, has anyone ever uttered to you the phrase, “like no other”?

Even once?

Of course not.

Humans say something like “it’s really different,” while bad copywriters say “like no other.” They’re attempting to simulate a one-to-one conversation by employing language that is unrealistic and unrelatable.

3. “Our team of physicians…all working together in one place…” Is that a Unique Selling Proposition for a hospital? That its physicians all work in the same building? Isn’t that pretty much expected of a hospital?

4.  If you’re told you have cancer, you don’t think, “I’ve got to find a hospital whose clinical trials are used by” other cancer treatment centers. So why do they talk about their clinical trials?

5.  I’m not certain — I invite any Attorneys Specializing in Advertising for Hospitals to chime in — but I suspect the Federal Trade Commission doesn’t allow a hospital to promise “your best chance for survival” unless it can prove it actually does offer a better chance for survival than all other hospitals.

6. You’re told you have cancer. Quick, what publication are you likely to consult in your quest for treatment? Probably not U.S. News and World Report.

7.  City of Hope has been named “one of the nation’s best cancer hospitals.”

Is that one of the 5 best?

One of the 100 best?

If I’m going to put my life in the hands of a hospital based upon its ranking in a general news magazine, rather than “one of the best” I’d prefer to to go with “the best,” if you don’t mind.

8.  At the end of the commercial they give two Calls to Action: call or or to our website.

Choice Paralyzes Response.

Give a single Call to Action.

Which one should you give?

The one that most members of your target audience use to establish their first contact with the hospital.

Here’s a Suggestion for Anyone Who Wants to Produce A “Sincere” Radio Commercial.

Rather than attempting to sound sincere, try being sincere.

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Hilton Hotel radio commercial First, the radio commercial.


One easy way to identify an worthless radio ad campaign is when you can replace the advertiser’s name with that of any competitor…or even of non-competitors.

In that spot, you could replace “Hilton” with “Hyatt.”

Or with “Marriott.”

Or with “Sheraton.”

Or with “American Airlines.”

Or with “Our Win A Vacation Contest.”

I don’t know how much money Hilton spent to have the commercial produced or how much they spent to run that advertisement on various radio stations.

The only thing I can tell you about the money involved in that radio advertising campaign is it didn’t result in even a single dollar flowing to Hilton.

But the ad agency that created the spot apparently thinks it’s clever.

And the ad agency made a profit on the campaign.

So at least it worked out well for somebody. Just not for Hilton.

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THE FOUR KEYS TO SUCCESSFUL ON-AIR RADIO CONTESTS

Radio Contest ideasThis is for anyone at your radio station who is involved in on-air contests.

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RADIO ADVERTISING and “THE ILLUSION OF TRUTH”

Effective Radio Commercial CampaignsChuck Buell writes:

Why do we hear or see the same commercial repeatedly over and over? I came across this thought in LinkedIn from Saurabh Nangia, Founder of Targeting Mantra of interest. While he is not addressing commercials per se, his views on “messages” (as commercials are) are what I found interesting….

THE ILLUSION OF TRUTH EFFECT – WHAT IS IT?

“When a message is repeatedly seen or heard by people, a sense of truth about the same is imprinted in their brain. This imprinted message leads one to believe that the message is true. Messages that are reproduced time and again boost the forcefulness of the argument to an extent. Increased amounts of repetition of a message without any spice will only diminish its strength and start to make it appear pestering….”

“When a message makes way into full consciousness of a consumer’s perception, it must be extraordinarily fascinating and compelling for the user to take action….The illusion of truth can be depicted by informing customer of a sale repeatedly, while also making sure that it does not pester them.”

This argues for creative (spots with “spice”) and not necessarily “attention-getting” commercials. Which (spice-less, attention-getting) TV spots do you mute; which radio spots do you punch out?

“The illusion of truth can be depicted by informing customer of a sale repeatedly, while also making sure that it does not pester them.”

It’s hard to have missed Chevrolet Truck’s current TV Spots that have appeared so many times. Whether it matters to you or not, don’t you at least “believe” that the 2015 Chevrolet Colorado is “Motor Trend’s 2015 Truck of the Year?”

How many times have you heard about a friend or associate become a “lost sale” to a business because they said they would not patronize a company or buy their product simply because they disliked their (repetitive, spiceless, attention-getting, pestering) commercials so much?

Dan Replies: While repetition has proven capable of creating the illusion of truth, Chuck omitted an important qualification to that last quote:

In eCommerce, the illusion of truth can be depicted by informing customer of a sale repeatedly, while also making sure that it does not pester them.”

Nangia’s piece specifically addressed effective strategies for “mobile notifications” — aka “push notifications” on your smart phone.

While for advertising purposes radio is an intrusive medium — commercials are delivered to listeners whether or not they want to hear them — a smart phone notification is infinitely more intrusive.

Users must maneuver past such notifications before being able to initiate the actions they want the device to take.

Unlike an unwanted cluster of bad commercials, they can’t change stations or quickly dispose of a chore until the advertisements have run their course.

Mobile notifications not only are more intrusive; they’re more intrusive in a personal, annoying manner.

The quoted author’s reaction to one illustration is, “Chances are, I would be extremely annoyed and uninstall the app.”

Few listeners, however, would respond to an irritating commercial by removing the station from its assigned button on an automobile’s radio console.

It’s this heightened intrusiveness that requires mobile messages to be interesting (to get the attention of users who are being delayed in their attempts to derive benefit from the device), relevant (to make them glad that the uninvited message got their attention) and fresh (to keep them from getting annoyed at the repetition of the message).

For a radio commercial to be appreciated by the listener, it needs only to be clearly relevant.

The more relevant the message to the listener’s life, the less “spice” it needs.

My answer to Chuck’s question, “Whether it matters to you or not, don’t you at least ‘believe’ that the 2015 Chevrolet Colorado is Motor Trend’s 2015 Truck of the Year?” is…

No.

I don’t believe the 2015 Chevrolet Colorado is Motor Trend’s 2015 Truck of the Year.

Nor do I disbelieve it.

Regardless of how many times I may have seen that TV commercial, the statement is irrelevant to me.

Yes, most likely I’ve heard that line many times. But I have no interest in buying a truck, which makes that factoid irrelevant to me.

What did I say is the most important factor of a commercial message? Relevance.

The irrelevance of that boast prevented it from entering my consciousness. I don’t “believe” or “disbelieve” it because I never consciously heard it.

What about those people who say they’ll never patronize a particular business due to its annoying advertising? 

There’s a difference between saying and doing.

If it’s annoying in a manner that clearly highlights the product’s or service’s value to their lives, for many of them “value to my life” will trump “annoyance of the commercial.”

My response should not be read as a defense of bad radio advertising — annoying or not.

A successful radio commercial motivates the targeted consumer to take a specific, predefined action.

If a radio campaign meets that criterion of success and it doesn’t violate any legal or ethical standards — or the radio station’s own standards, if it has any — then everything else is theoretical window dressing.

Recommended Radio Advertising Resource

How to Create Maximum Impact Radio Advertising

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RADIO COMMERCIALS – 30 vs. 60 SECONDS

30-second radio commercials60-second radio commercials

 

 

 

 

 

 

 

Remember when Clear Channel tried to convince advertisers that “less is more” and that 30-second radio commercials are more effective than :60s?

That campaign, of course, had nothing to do with advertising effectiveness and everything to do with radio station inventory management and profit maximization.

So which is the preferred length of a radio ad?

The answer often depends upon for whom you’re asking — the radio station or the radio advertiser.

This video contains the answers, as well as the surprising discovery that the length of a commercial break has less impact on audience tune-out than…Well, let’s hear what the guy in the video has to say.

Click here to download free radio copywriting seminar.

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