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IS THE McDONALD’S MODEL RIGHT FOR RADIO?

McDonald's

Fatburger

“Economies of scale.”

“Predictability — the product is the same regardless of the market.”

I’ve long been bemused by people who hold up the McDonald’s restaurant business model as one to be followed by radio stations.

In fact, you’ve probably heard someone — either at a convention or in a boardroom — hold up that model as one for your company to aspire to.

McDonald’s doesn’t make much money when they sell one of those miserable little hamburgers. So to make a lot of money, they’ve got to sell a whole lot of hamburgers.

They don’t offer great taste or a pleasurable dining experience.

They offer “dollar menus.”

“Dollar Menu” = “Cost Per Point Radio.”

If you play that game, whoever charges the least wins.

And when lots of others compete with you on price, you have to resort to promotions that further erode your profits: giving away plastic toys, conducting sweepstakes (which, sadly, occasionally turn out to be rigged), etc.

On the other hand, there’s Fatburger, which I have patronized for 25 years now.

Their burgers are a LOT bigger than McDonald’s.

And a LOT tastier.

And a LOT more expensive.

How much more expensive?

You know what? I don’t even know, because I’m not thinking “price” when I go to Fatburger. I’m thinking “taste” and “satisfaction.”

If your radio station aspires to nothing more than doing what every other radio station does, in the same way that every other radio station does it, you don’t get to charge premium advertising rates.

Instead, you get the pleasure of being bullied by 24-year old media buyers who — to quote Randy Michaels from his legendary PD GRAD SCHOOL presentation — “don’t even know how to operate a radio.”

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VERIZON DROID X EAGLE EYE COMMERCIAL PROBLEM

Droid phone commercialStrange to see an ad agency get a commercial half-right…

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Oops. We seem to have lost our way.

First, the radio commercial:

Attention: Automobile companies that advertise on radio:

The pictures your radio commercials paint are what the audience will remember.

If you’re trying to sell telephone answering machines, this isn’t a terrible commercial.

If you’re trying to sell automobiles, well….That’s another story.

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RADIO FILL-IN SHOWS; AIRCHECK CRITIQUE

The latest issue of my Radio Programming Letter includes advice to someone who is filling in for another person’s morning show, plus a critique of a subscriber’s aircheck.

This posting is for subscribers to add their own comments….

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Ross Brittain Z-100 New YorkI first saw Penn & Teller perform in late 1983. A wonderfully sparse set with simple “stories” (i.e., the presentations of the magic tricks).

It was New Year’s Eve. Long before they added flying chainsaws and bullet catches. In the tiny 99-seat Las Palmas Theatre, they put on a terrific show. The closest they came to high tech — and believe me, it wasn’t at all close — was Mofo The Psychic Gorilla.

Teller probably still performs his “rose” illusion, and it’s probably as beautiful on a big stage as on a small one.

The progressively larger theatres, however, made it impractical for him to continue performing his version of “The Miser’s Dream” — sleeves rolled up, emptying an endless supply of coins from an audience member’s purse. (Doesn’t sound like much, but…Well, you had to see it to understand.)

I saw P&T perform every New Year’s Eve for the next 7 years.

I think it was 1985 that P&T took their show from Los Angeles to Off-Broadway. Given the “any theatre that originated in L.A. can’t be good” attitude that at the time permeated New York’s critics, the theatrical program carefully omitted any mention of the show’s L.A. beginnings.

Naturally, I flew to New York to see their show on New Year’s Eve. Ross Brittain — 1/2 of Z-100’s legendary Morning Zoo — and his wife, Rasa Kaye, agreed to go with me. Grudgingly.

“A magic act??” Ross had said.

This is the second trick they performed that night….

When Penn held up his bloody hand and screamed, Ross looked over at me…and nodded.

“Got it.”

Not just another magic act.

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