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beer radio commercialMany people make the mistake of judging a radio commercial against the backdrop of having seen a companion television campaign.

That’s a mistake — especially in this Age of Tivo.

First, the commercial.

Fact #1: This is a branding campaign.

(Surprising) Fact #2: It’s not a waste of money.

A successful consumer branding campaign requires a ton of money, a consistent message, and patience. Oh, and another ton of money.

This campaign isn’t about the hops and barley, nor the taste.

It’s about Image. Not Dos Equi’s image; the image that you, Mr. Macho Beer Drinker, would like to imagine as your own.

Good campaign.

The writing on this particular spot, however, is sloppy. Perhaps the creative team is running out of steam. But this super-sophisticated Most Interesting Man In The World — whose business card says, “I’ll call you” — has “tree houses”? Doubtful.

This, however, is a very interesting and unusually smart line:

“I don’t always drink beer, but when I do, I prefer Dos Equis.”

Of course The Most Interesting Man In The World doesn’t always drink beer.

But when he does….

When he does, does he insist on Dos Equis?

Nope. He prefers it. Maybe not every place serves it. But that’s the beer he prefers.

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THE STATE OF COMMERCIAL RADIO

In the most recent issue of my Radio Advertising Letter, I wrote about “the state of commercial radio.”

This blog posting is for subscribers to add their own commentary and observations.

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I KNEW THIS SONG WAS “DIFFERENT,” DIDN’T KNOW WHY

I was a little kid when this song became a country crossover hit.

I liked it. But somehow it was different from everything else on the radio. Not the sound; it was the song that was different.

Years later in the Patsy Cline biopic, Cline complains, “I don’t know how to sing this guy’s songs!” (She learned.)

That guy who wrote the songs that were so different she didn’t know how to sing them? Same guy who wrote this so-different, simple, excellent song.

Fella name of Willie Nelson.

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Al Jarvis KFWB radio DJWhen KFWB program director Chuck Blore told the air staff about his exciting new concept, “Color Radio,” everyone loved the idea…

…except for “America’s first DJ,” Al Jarvis….

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O’DAY’S TRAVEL WOES #88: BEST SEMINAR TRIP EVER

radio air talent coaching

September, 1996 (continued):

After a few days at home following my New Zealand trip, on Friday I left for Atlanta to present How To Critique & Coach Radio Talent for a radio conference.

Because I was scheduled for just two hours on Saturday afternoon, I gave Matthew permission to miss a day of first grade so he could come with me.

This proved to be one of my better decisions, because we had an absolutely great time.

After checking into the hotel and eating dinner, we ordered ice cream sundaes from Room Service and ate them while watching a baseball game on TV.

Afterward, Matthew held his green slippers up to his ears and said, “Who am I??”

“I give up. Who?”

“Krusty the Clown!”

The next morning began with a pillow fight.

While the attendees were at lunch, we checked out the meeting room — a very state-of-the-art conference room with tiered seating, built-in desks with individual lamps, fancy swivel chairs, etc.

I tested the A/V equipment and offered Matthew a chance to speak into the microphone — an opportunity he immediately transformed into an impromptu rock concert.

Then we turned out all the lights and chased each other around the room, twisting between the narrow rows of tables.

Just before my session began, Brian Lowring and his two-year old son took Matthew to a nearby zoo. (I had suggested to Matthew that he might prefer to stay and watch me work; he chose the zoo without hesitation.)

The evening was highlighted by more pillow fights.

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