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This is the 5th installment of a series of ruminations on radio copywriting that Dick Orkin and I began…uh, four installments ago.

radio commercials copywriting

"In Happier Times" — Dick Orkin & Dan O'Day

Living Autobiographically

by Dick Orkin

Most effective, “non-boring” radio commercials are wholly or partly autobiographical.

Ah, having heard that, are you making a false assumption that “autobiographical” means what you think it means?

I mean something else — something larger and more encompassing — when I say autobiographical.

When I say autobiographical, I don’t necessarily mean the details of your childhood and teen years, or your married or non-married life, or your work years.

Autobiographical includes that, but it also includes all of the people you’ve met and your experiences with those people.

It means situations that range from your first day of school when you wet your pants to the discovery you just made that you went to the washroom and, while washing, spilled water on your pants you-know-where.

It means the last harsh words you had with anyone today or yesterday and what happened to produce those words.

It also means your worrying, reflecting and ruminating on all of the moments I have just mentioned and many more I haven’t mentioned, songs you’ve heard, books you’ve read, people you have seen on the street — all of which you may have experienced consciously or unconsciously.

Maybe you assumed that these things aren’t really autobiographical.

Maybe this should be called “How To Watch Out For False Assumptions And Achieve Greatness.”

When your commercial is not autobiographical, I’ll bet it’s derivative as all heck.

By derivative, I mean creating a commercial you heard someone else do, or a commercial built around a great gag on Saturday Night Live, or a situation or character line in a play or movie you enjoyed.

How will you know you have achieved that autobiographical place?

Someone who once went to Paris to study French as a language said they knew they had mastered the language when one night they dreamed in French.

How will you know?

You will dream in commercials, that’s how you’ll know.

(To be continued….)

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Final installment in this 5-part series.

Build Your Career (Not Your Job).

Most radio people learn the basics…and then coast for the rest of their professional lives.

They have jobs, not careers.

Let’s face it: The technical demands of being an air personality are about on a par with driving a car. It just ain’t that difficult.

To have a career in radio and not just a job, you need to develop a mastery of performing skills.

But delivering the goods to your audience isn’t always enough to insure professional longevity — especially in this age of consolidation, voice tracking, and mass “downsizing.”

It also pays to promote yourself within the industry and to make friends within your profession.

I dislike the word “networking,” because it conjures images of spending all of your energy handing out business cards and looking to make “contacts.”

But having friends in the industry can be of immense help — for mutual support, inspiration, advice and, yes, even jobs on occasion.

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In honor of Halloween, instead of our usual Monday Radio Commercial Smackdown I’ve decided to share one of the spots features in Secret Case Histories From The Radio Ranch.

Radio legend Dick Orkin pulled back the curtain to reveal behind-the-scenes stories of a number of The Radio Ranch’s many successes — some well-known, others less so.

Dick Orkin and Dan O'Day

(That’s Dick on the left, with me on the right, pretending to be interested.)

One great success was for Carlsberg Beer, but only after they figured out how to solve a problem: The ad agency insisted they use the line, “Don’t touch my Carlsberg!”

Carlsberg Beer bottle

As Dick explained, it wasn’t easy to find a way to use that line in a manner that didn’t sound overly aggressive. But they managed to overcome that obstacle, as you’ll hear in this spot (featuring Tom Poston along with Dick).

When doing a comedy spot, it’s important to build to a payoff at the end. Notice how this one does just that.

 Although this campaign aired in Ireland, the agency specifically wanted to use American voices. Perhaps they figured “American” and “aggressive” go together nicely.

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(video) DIRECTING A 3-SYLLABLE VOICE OVER AUDITION

Voice over coach extraordinaire Nancy Wolfson directs a voice actor delivering a 3-syllable commercial tag.

If you can’t view the video player above, click here for an alternate player.

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real estate marketing advertising

One of the classic marketing campaigns was a simple button that said:

“I lost 20 pounds on (Diet). ASK HOW!”

The other day I saw a bus bench advertisement for a real estate company that proclaimed:

“We are changing the residential real estate market forever. ASK HOW!”

With 2/3 of adult Americans overweight, it’s a sure thing that some of them will ask, “How did you lose 20 pounds?”

But no one on this planet (other than, possibly, a real estate agent) will ask, “How are you changing the residential real estate market forever?”

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