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Greaseman aircheckIn my radio talent seminars, I stress the importance of a personality on a music station “making everything his own.”

Even though you don’t select the music, even if everything you do on-the-air is prescribed by your program log, if you’re a personality and not just an announcer you need to infuse those elements with enough of your own unique style to “make it your own.”

If you do everything exactly as everyone else on your station and on your competitors’ stations do, what’s the point of having a live jock in the studio? Why not just have one person voice track everything?

I’m not advising you to break format. I’m encouraging you to do what you’re supposed to do, but to do it your way.

Here’s an example from many years ago. If you’re not old enough to be familiar with “Late in the Evening” by Paul Simon, here’s a line from the song:

 

Here’s The Greaseman, coming out of that record a long time ago, on a less than digital quality rendering of an AM signal in Jacksonville, Florida. (You’ll want to crank up the volume first.)


As with many exceptional radio personalities, lots of people love The Greaseman; lots don’t. I’m among the people who “do.”

But “do you like this jock or not?” isn’t the point of this piece.

I heard him outro that record 3 decades ago. And to this day, every time I hear “Late in the Evening,” in my mind I hear “Grease”’s voice saying, “The next time you step outside to light yourself a ‘J,’ as you so quaintly put it, you’ll be looking at the back of a squad car….”

That is an example of a jock making something as basic as a song outro his own.

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Although this video no longer is available, here’s a free gift for you:

how to narrate audiobooks for ACX and AudibleOur 90-minute audio seminar, “The ACX Audiobook Narrator Insider’s Guide.”

ACX audiobook demo tips

Which genres off the most work for narrators

Best practices for ACX profiles

Union vs. non-union ACX titles

Don’t rely on rumor, urban myths, or out-and-out false information. If you want to get paid to narrate audiobooks, download your free audio seminar here.

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Audiobook Narrator Tutorial for Voice Actors

Although this video no longer is available, here’s a free gift for anyone who wants to learn how to become an audiobook narrator…

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Best practices for ACX profiles

ACX audiobook demo tips

Which genres off the most work for narrators

Union vs. non-union ACX titles

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If you want to get paid to narrate audiobooks, download your free audio seminar here and learn how audiobook narrators can get more and better jobs inside ACX.

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Tips for Radio Copywriters
During a recent teleseminar about writing radio commercials, I was surprised by my response to an innocent and undoubtedly common question: 

“What do when you have writer’s block? What do you do for inspiration when you’re on a deadline but you just can’t think of a good way to write a particular spot?”

I thought for a moment and then replied, “I never experience writer’s block.”

That’s not because I’m an endless fount of creativity.

It’s because I think in terms of “stories.”

And before I can land on a story that effectively delivers the commercial’s sales message, I need to understand: 

1) What does your product or service do for the people who buy it?

Usually the client’s first answer is either indecipherable industry mumbo-jumbo or a collection of meaningless advertising clichés.

I doggedly continue to ask the question repeatedly until finally, exasperated, the client blurts out, “It _______!”

The client thinks that blurted answer is obvious and too insignificant to mention; “everybody knows that,” the client thinks.

But I didn’t know it until the client told me.

Now that I understand the answer to my first question, I move on to my second question:

2) How does that positively affect their lives?

“How does our medicinal cream that alleviates arthritis symptoms positively affect our customer’s lives? It alleviates their arthritis symptoms, dummy!”

They may not use those exact words, but that response evident in the client’s tone of voice.

Of course, I can make semi-educated guesses.

“Now they can pick up their grandchildren!”

“Now they can play tennis again!”

But before I begin writing, I don’t want to guess.

I want to know.

Maybe the targeted consumer for this particular arthritis remedy suffers mostly from pain in their toes.

Maybe it’s their knees.

Maybe a major side effect of the pain is constant sleep deprivation.

I just keep asking until I get an answer that enables me to understand how, specifically, the product or service positively affects the lives of the targeted consumers.

3) Why should the targeted consumer purchase the product or service from your company and not from one of your competitors?

Believe it or not, they don’t usually say, “Because we have a friendly, knowledgeable staff.”

Often they know why they want people to purchase from them instead of from their competitors, but they haven’t thought much about why those people should purchase from them.

I just keep asking that question until finally I get an answer that I understand and that I can use in their advertising.

Radio Advertising Solves Problems.

I’m good at problem-solving, and I have a natural affinity for story structure — for what makes a story “work.”

Once I understand the problem and the solution, it’s just a matter of explaining in story form how the client can solve the targeted consumer’s problem.

Why Do I Never Suffer from “Writer’s Block?’”

Because I don’t sit down to write until I already understand the problem.

Once I’ve zeroed in on the problem, multiple story ideas vie for my creative attention.

When I do sit down to write, I may not know precisely how I’m going to tell it but I have a good idea of the story I’m going to tell.

For The Record….

“Writer’s Block” is not the same as “Avoiding Writing.”

Like most good writers I know, I’ll do almost anything to avoid actually sitting down to write.

That common writers’ behavior is caused by fear — fear that they won’t “have any ideas” when they do try to write.

But once I know what story I’m going to tell, the fear is replaced by an eagerness to “write it down” — to get that story told.

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