The latest issue of my Radio Advertising Letter features two exceptionally valuable tools for helping to define a new commercial campaign, plus a sly method of making sure your station gets all the credit it deserves for generating “remote broadcast” attendance.
This posting is for subscribers to add their own comments….
Radio people can be so myopic.
A while ago, in response to my critique of a radio commercial, someone posted a comment on this blog:
“Why waste time on this subject? Nobody listens to radio commercials anyway.”
“Nobody listens to radio commercials” is the symptom, not the disease.
The disease is:
“Most radio commercials aren’t worthy of the attention of the radio audience….So most people don’t pay attention to most radio advertisements.”
Someone else responded to my statement that radio personalities should identify themselves frequently on-air:
“Nobody cares what the DJ’s name is in the first place.”
If you have a radio host (not just a robotic time/temp/backsell “announcer”), that person’s job is to establish a human connection with the listener.
Individual “names” are not a natural phenomenon; they are an invention of human beings. “Names” are a social tool used to help maintain and manage relationships.
When listeners form a bond with a particular radio host, they want to know that person’s name.
If listeners perceive the jock only as a disembodied voice and not as a person, then it probably doesn’t even occur to them that that voice has a name.
And that’s a symptom of bad programming…not the disease.
Contrary to what most radio salespeople have been taught, “the immediacy of radio” does not mean, “Give us your commercial order this evening, and we’ll have it on the air at 6 o’clock tomorrow morning.”
The concept of “the immediacy of radio” comes from the fact that radio can cover news as it happens.
It dates back to the days when if some major event occurred, people would automatically turn on the radio because they knew they could learn about that event as it unfolded.
If you routinely accept an order at 4 o’clock in the afternoon for airing the next morning, you are doing two things:
1. You are virtually guaranteeing that your clients do not get their money’s worth, because you are not allowing enough time to do a professional job in creating their advertising.
2. You are training your clients to think of radio as a “last-minute” medium of last resort, rather than as the powerful advertising medium that it can be when used properly.
Here’s something that a lot of radio stations do that always has struck me as…well, dumb:
You don’t want to allow employees, advertisers, etc., to win your contests because doing so would threaten the integrity (perceived or actual) of the contest.
But why would you prohibit someone who works for a competing station from winning?
If a competitor’s employee were to win one of my station’s contests, I’d immediately start running promos highlighting the fact that “While Bob Smith is paid to WORK at Radio X, when he wants to hear the best of today’s hit music he LISTENS to (Our Station).”
And banning family members of anyone who works for a competing station?
So….48-year old Mary Smythe works as a bookkeeper for a local News/Talk station, and her 19-year old son, Matthew, is a loyal listener to my modern rock station. But Loyal Listener Matthew isn’t allowed to win any of our contests??
Sometimes radio people do the dumbest things.
