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THE “IT’S OKAY TO GET OUT OF RADIO” SPEECH

Radio careers

A Loyal Reader Writes:

“Several years ago I had the pleasure of attending your air personalities seminar and meeting you personally. At the end of the seminar, you gave a small speech I have since referred to as the ‘It’s OK To Get Out’ speech.

“I knew it was time to get out when I found that postscript to be the most inspiring part of an exceptional seminar. You have a great gift for communication, and you bestowed another gift on me: the permission to admit it was time to leave.

“Oh, it didn’t happen all at once, but after 30 years in a business I had loved, I realized that the love was no longer there. I won’t bore you with comparisons to divorce, but having been through that, too, I feel qualified to say that the feelings and experiences are much the same.

“Your success in a different, though related, field proves that even long-time radio pros can be re-invented, or rather, that we can re-invent OURSELVES if we take the time for proper assessment.

“I am now a successful account manager for a major firm, have an office with a view, a great salary, and no longer work weekends or holidays. In spite of all this, there are still times when I MISS RADIO LIKE CRAZY!!!

“I have, however, found creative outlets that can quell the craving for satisfactions inherent in the radio biz.

“1. I’ve used my talents as a voiceover specialist for commercials, training videos, and other ventures.

“2. I joined a local singing group. I had the chance to sing a solo at a major performing arts center for an audience of over 2,000.

“3. I’ve performed in more local and regional plays than I can count.

“4. I’ve written articles for local newspapers and magazines, and I am working on a novel.

“Also, six months ago, I got word that I’d be the voice of a cartoon character on a locally-produced cable series.

“The point — which I hope you’ll share with other displaced radio pros — is that the end of a radio career is not necessarily the end of creativity and performing.

“It started, however, with your seminar. I’m sure you never dreamed that a seminar designed to help people succeed in radio would also inspire courage in someone to be a success OUT of it, as well. THANK YOU!”

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The latest issue of my Radio Advertising Letter includes an article about appropriate criteria for judging a radio advertising competition, as well as a commercial script I wrote for a Japanese restaurant client.

This posting is for subscribers to add their own comments….

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OPENING RADIO COMMERCIAL LINE THAT GOES…NOWHERE

It’s not a difficult concept to grasp:

The opening line of a radio commercial is the “commercial for the commercial.” It’s the one chance to grab the attention of the targeted listener.

Whose attention does this opening line attract?

Now, the entire commercial….

Presumably there are some benefits to the discounts Amtrak is offering. Too bad no one ever will become acquainted with those benefits as a result of having this commercial played on a radio near them.

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AVERY SCHREIBER, IMPROVISATIONAL GENIUS

Burns and SchreiberAll those times I saw Burns & Schreiber on The Hollywood Palace and The Ed Sullivan Show, it never occurred to me that one day I might actually be friends with Avery Schreiber.

Well, it would be more accurate to say “know Avery Schreiber.” We weren’t buddies, but I suspect Avery became friends with everyone he met.

I first met him when Dick Orkin invited Avery to do a mini-workshop at the very first International Radio Creative & Voiceover Summit in 1996.

A few years later Avery agreed to conduct another workshop at my Morning Show War College.

Avery could create reality out of…air. He sat on a folding chair and asked, “Okay, so whom am I?”

“A truck driver,” said one of the morning jocks.

Bam! We saw that truck. Felt it vibrate, felt the road, felt the gears grinding.

Avery was magical. He also was perhaps the gentlest person I’ve ever met.

Sometime between the Summit and the War College, Avery added me to his list of email friends. I’m guessing it was a long list. He’d send funny stuff to this list of friends. Unlike almost everything else one receives under the guise of “funny email,” it always was funny.

And it always had heart.

It must’ve been when I called him up to ask if he’d speak at the War College that he told me a joke over the phone. In a half-whisper, as a small child. The joke sounded dirty until he got to the punchline, when it turned out to be as innocent as a small child.

Once I bumped into him at a Writer’s Guild screening. We sat next to each other. “I’m watching a movie with Avery Schreiber,” I marveled.

Averyimp, I miss your emails. And your talent. And the world sorely misses your heart.

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radio show prep tips, Gary Burbank, Greaseman, Dan O'Day, Ross BrittainRadio show prep tips from The Greaseman, Ross Brittain, Gary Burbank, Dan O’Day.

Recorded at my Air Personality Plus+ seminar in Charlotte, North Carolina, 1991.

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