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Yes! I want to download your 74-minute teleseminar,
“How To Record Voiceovers At Home Or On The Road”
— for free.

Here are some of the questions we answered in detail.
	What are the basic components of a home studio setup that would offer a reasonable degree of quality, be practically affordable, and be operable by someone with average technical skills?
	How do you cope with the room noise when recording on the road?
	How do you deal with line noise (hum) when recording in a hotel room?
	What is the difference between ISDN and a phone patch?
	What ISDN software do you recommend for a voice actor looking to market himself globally, that's the most user friendly? Audio TX Communicator? Source Connect?
	What would you recommend as the easiest and best software for recording and editing my voice? Is Pro Tools overkill, or do I need it?
	What equipment is Harlan currently using?
	How can I create great sounding voiceovers from my laptop without the use of a sound booth?
	Is GarageBand good enough for recording auditions and/or professional voiceover jobs?
	Is a mic processor necessary when traveling?
	What db level do you record at, and what's the room noise db level when you are saying nothing?
	Is Skype’s quality sufficient for voiceovers?
	Do you have some tips on easy and inexpensive soundproofing or creating a makeshift recording area or booth?
	I have a small apartment. Would I be able to set up the necessary equipment in a corner of a room, or does there need to be a dedicated room so the sound doesn't bounce all over?
	For recording on the road, is there a mic stand that isn't as heavy as most?
	Given that clients are buying the sound you create for them in your home voice booth, when you travel — even with the same computer, software and microphone — how can you ensure that the recording sound matches what you provide from your permanent booth?
	What do you recommend as the best reasonably priced microphone I can use at home as well as for traveling?
	Which is better: onboard (software) processors like compressors, EQ's, etc., or outboard (hardware) processors? I know hardware adds equipment and some noise to the signal chain, but outboard equipment just sounds better to me.
	I've heard of some VO artists recording auditions inside a car when other options are not available. What must be done to make such a recording sound as good as possible? Is this a viable solution for recording final (non-audition) pieces as well?

Yes! I want to download your 74-minute teleseminar,
“How To Record Voiceovers At Home Or On The Road”
— for free.

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